Between poetics of culture and production culture. Social context of realization of first Andrzej Wajda’s movies
The article is an attempt to examining again the three first movies of Andrzej Wajda: Generation, Canal and Diamonds and Ashes, regarding archival protocols and production issues more then stict artistic or auteur factors. The inspiration was both production culture perspective and New Historicism of Stephen Greenblatt. The text shows how many additional factors played decisive role in realising those classical movies and how much the movies were connected with plays for cultural power and dominance in those historical reality. In effect we can observe specific kind of dispersive authorship in which film authors hasn’t full control on the final effacts of the movie, for example its social impact and audience recepton.
Film production; socialist state mode of production; Polish School; New Historicism; archival research; produkcja filmowa; socjalistyczny model produkcji; szkoła polska; poetyka kulturowa; badania archiwalne
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