Abstrakt
The author analyzes the mutual determinants of the ecological and social crisis. The starting point is Zygmunt Bauman’s concept of wasted lives and the concept of expulsions proposed by Saskia Sassen, referring both to activities destroying specific areas and the communities inhabiting them. This frame includes films showing various scenarios of a dystopian future in which individual characters or entire groups have been consumed and expelled by the aggressive Capithalocene and doomed to live in the dustbin of contemporary civilization. The article focuses on the production Beasts of the Southern Wild directed by Benh Zeitlin. The author looks at the reality and, at the same time, the symbolism of the film’s wall/dam; communities living on both sides of it, relationships between nature and culture, or rather (in posthumanist terms it is written as one word – natureculture); the methods and consequences of excluding and expelling human and non-human beings used by the mechanisms of late capitalism.
Bibliografia
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Beast of the Southern Wild, dir. B. Zeitlin, USA 2012 Children of Man, dir. A. Cuarón, USA/UK 2006 Civil Action, dir. S. Zaillian, USA 1998
Glory at Sea, dir. B. Zeitlin, USA 2008
Mad Max 2, dir. G. Miller, USA 1981
Mad Max: Fury Road, dir. G. Miller, Australia/USA 2015
Snowpiercer, dir. Bong Joon Ho, Czech Republic/France/USA/South Korea 2013
Something Better to Come, dir. H. Polak, Denmark/Poland 2014
The Gleaners and I (Les glaneurs et la glaneuse), dir. A. Varda, France 2020
Trash, dir. S. Daldry, Brazil/UK 2014
Waste Land, dir. L. Walker, Brazil/UK 2010
Licencja
Prawa autorskie (c) 2023 Grażyna Gajewska
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa 4.0 Międzynarodowe.