Słowa kluczowe
non-anthropocentric humanism
plant art
post-apocalypse
Jak cytować
Abstrakt
This article is concerned with the fate of trash and plants which grow on it. As an example of this, the video game Cloud Gardens was chosen, along with installation arts by Elżbieta Rajewska and Diana Lelonek. The paper analyzes the process of creating landscapes known from popular works of post-apocalyptic fiction; what in other titles is only a background to events and human tragedy is of greatest importance here. Later parts of the article discuss human responsibility for the unexpected development of other species, as well as plants’ indifference to the human apocalypse. This text is part of the non-anthropocentric humanism trend and refers to the concept of “plant art” as proposed by Anna Wandzel.
Bibliografia
Backe H.-J., Within the Mainstream: An Ecocritical Framework for Digital Game History, "Ecozon@" 2017, vol. 8, nr 2, s. 39-55 https://doi.org/10.37536/ECOZONA.2017.8.2.1362 DOI: https://doi.org/10.37536/ECOZONA.2017.8.2.1362
Chang A., Playing Nature: Ecology in Video Games, Minneapolis 2019 Halberstam J., Przedziwna sztuka porażki, Warszawa 2018 https://doi.org/10.5749/j.ctvthhd94 DOI: https://doi.org/10.5749/j.ctvthhd94
Haraway D., Nie uciekajmy przed kłopotami. Antropocen - kapitałocen - chthuucen (tłum. K. Hoffman, W. Szwebs), [w:] Antropocen czy kapitałocen? Natura, historia i kryzys kapitalizmu, red. J.W. Moore, Poznań 2021
Juul J., Fear of Failing. The Many Means of Difficulty in Videogames, [w:] The Video Game Theory Reader 2, red. B. Perron, M.J.P. Wolf, London - New York 2009
Kłosiński M., Frostpunk - tęsknota za biopolityką stanu wyjątkowego, "Teksty Drugie" 2020, nr 1, s. 284-298 https://doi.org/10.18318/td.2020.1.18 DOI: https://doi.org/10.18318/td.2020.1.18
Kubiński P., Gry wideo. Zarys poetyki, Kraków 2016
Rybicka E., Biopolis - przyroda i miasto, "Teksty Drugie" 2018, nr 2, s. 57-74 https://doi.org/10.18318/td.2018.2.4 DOI: https://doi.org/10.18318/td.2018.2.4
Szleszyński B., Jak przeżyć traumę apokalipsy i odzyskać wiarę w ludzi (w grze "The Last of Us"), "Napis" 2013, vol. XIX, s. 364-376 https://doi.org/10.18318/napis.2013.1.21 DOI: https://doi.org/10.18318/napis.2013.1.21
Wandzel A., Sztuka roślin, "Teksty Drugie" 2018, nr 2, s. 272-283 https://doi.org/10.18318/td.2018.2.17 DOI: https://doi.org/10.18318/td.2018.2.17
<https://store.steampowered.com/app/1372320/Cloud_Gardens/>
<https://www.heypoorplayer.com/2021/09/05/cloud-gardens-review-pc/>
Fallout (Interplay Entertainment, 1997)
Fallout 2 (Black Isle Studios, 1998)
Fallout 3 (Bethesda Game Studios, 2008)
Fallout 4 (Bethesda Game Studios, 2015)
Frostpunk (11 bit studios, 2018)
Mutant Year Zero: Road to Eden (The Bearded Ladies, 2018)
S.T.A.L.K.E.R.: Cień Czarnobyla (GSC Game World, 2007)
S.T.A.L.K.E.R.: Czyste Niebo ( GSC Game World, 2008)
S.T.A.L.K.E.R.: Zew Prypeci (GSC Game World, 2009)
The Last of Us (Naughty Dog, 2013)
The Last of Us Part II (Naughty Dog, 2020)
Licencja
Prawa autorskie (c) 2023 Karol Zaborowski
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa 4.0 Międzynarodowe.