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Marek Hendrykowski

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Methodology of New Film History

The article’s author, based on various examples taken from the European documentary tradition, seeks to determine how the particular position of a new generation of found footage films is allocated and viewed in Polish cinemas and in relation to Polish contemporary audiovisual culture. Marek Hendrykowski redefines film editing (found footage film, compilation) as a historical narrative with its own, attractive poetics and successful way of negotiating its prestige and popularity in the public sphere.

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Bibliografia

  1. E. Wysocka, Wirtualne ciało sztuki. Ochrona i udostępnianie dzieł audiowizualnych, Narodowe Centrum Kultury, Warszawa 2013.
  2. T. Lachmana, Filmové árchivy w „digitalnym vĕku” („Iluminace. The Journal of Film Theory, History and Aesthetics” 2014, nr 1).