Słowa kluczowe
Odyssey
myth and film
Greek mythology
woman in antiquity
O Brother
Where Art Th ou?
Inception
Cast Away
Jak cytować
Abstrakt
Penelope and Her Cinematic Incarnations
By analysing contemporary cinematic incarnations of Penelope, the wife of Odysseus, the author shows a thematic relation between cinema and ancient mythologies. Although an interest in mythical motifs is visible in film from its very beginnings, their popularity has constantly changed due to e.g., technological developments in filmmakers’ capabilities. However, what never changes is the presence of mythical plots in deeper story structures, which include the recreation of ancient characters. Examining Penelope’s spirit in today’s culture proves that the mythical story in which she appears provides excellent material for building new things – it easily adapts to modern times, constantly inspires artists, and stimulates various reflections about our cultural heritage.
Bibliografia
A. Helman, J. Ostaszewski, Psychoanalityczna teoria filmu, w: idem, Historia myśli filmowej, Wydawnictwo słowo/obraz terytoria, Gdańsk 2007, s. 252–253.
B. Moyers, Potęga mitu. Rozmowy Billa Moyersa z Josephem Campbellem, tłum. I. Kania, Znak, Signum, Kraków 1994, s. 37–38.
J. Paul, Oliver Stone’s „Alexander” and the Cinematic Epic Tradition, w: Responses to Oliver Stone’s „Alexander”: Film, History, and Cultural Studies, red. P. Cartledge, F.R. Greenland, University of Wisconsin Press, Madison 2010, s. 20.
E. Dolińska, Homer dla młodszych klas, „Film” 1987, nr 42, s. 10.
M. Atwood, Penelopiada, tłum. M. Konikowska, Znak, Kraków 2005, s. 15.
J. Campbell, Bohater o tysiącu twarzy, tłum. A. Jankowski, Zysk i S-ka, Poznań 1997, s. 185–186.
Licencja
Copyright
© 2015 Uniwersytet im. Adama Mickiewicza w Poznaniu
OPEN ACCESS