Abstrakt
The concept of the New Jew was one of the most important founding myths of Zionism. During the construction of a Jewish state in Palestine, the New Jew was hailed Sabra (with reference to the kind of prickly pear popular in this region). In the twentieth century, the figure of Sabra became an important element of the identity and culture of Israelis. The main purpose of this article is to show the evolution of the mythical narrative typical for the cinematic incarnations of Sabra, which in recent decades has taken place in Israeli war films.Bibliografia
Almog O., 2000, The Sabra – The Creation of the New Jew, Los Angeles. DOI: https://doi.org/10.1525/california/9780520216426.001.0001
Chyutin D., 2011, Negotiating judaism in contemporary Israeli Cinema, w: Israeli Cinema Identities in Motion, eds. M. Talmon, Y. Peleg, Austin.
Gershenson O., 2011, Immigrant cinema – Russian Israelis on screens and behind the cameras, w: Israeli Cinema Identities in Motion, eds. M. Talmon, Y. Peleg, Austin. DOI: https://doi.org/10.7560/725607-012
Loshitzky Y., 2001, Identity Politics on the Israeli Screen, Austin. DOI: https://doi.org/10.7560/747234
Shohat E., 2010, Israeli Cinema East/West and the Politics of Representation, London. DOI: https://doi.org/10.5040/9780755695928
Yosef R., 2004, Beyond Flesh: Queer Masculinities and Nationalism in Israeli Cinema, New Brunswick.
Yosef R., 2011, Homonational desires – masculinity, sexuality and trauma in the cinema of Eytan Fox, w: Israeli Cinema Identities in Motion, eds. M. Talmon, Y. Peleg, Austin. DOI: https://doi.org/10.7560/725607-015
Zerubavel Y., 2000, The mythological Sabra and Jewish past: trauma, memory and contested identities, “Israeli Studies”, nr 7. DOI: https://doi.org/10.2979/ISR.2002.7.2.115
Licencja
Prawa autorskie (c) 2016 MACIEJ PIETRZAK

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