Abstract
The article aims to analyse the phenomenon of a Norwegian Internet-TV show for teenage audiences, Skam (2015–2017). The transmedia storytelling used in this production resulted in unforeseen international acclaim, subsequently leading to the creation of local remakes of the series. The article will outline the main issues that the show has dealt with, as well as the immersion-building narrative solutions used by the creators. Moreover, it will discuss Skam’s reception by Norwegian and international audiences, and suggest potential directions for the future development of this format.
References
Bartleet L., Why you should be watching Skam, Tumblr’s most talked-about TV show of 2017, „NME” 2017, <https://www.nme.com/blogs/tv-blogs/watching-skam-tumblrs-talked-tv-show-2017-2168642>
Donadio R., Will ‘Skam,’ a Norwegian hit, translate?, „The New York Times” 2016, <https://www.nytimes.com/2016/12/09/arts/television/will-skam-a-norwegian-hit-translate.html>
Eggesvik O., Nå har Oslo fått sitt første rødgrønne budsjett på 19 år, „Aftenposten”, 2016, <https://www.aftenposten.no/osloby/i/8M7bW/naa-har-oslo-fa-att-sitt-foerste-roedgroenne-budsjett-paa-19-aar>
Fandalen J.I., Nerven i „Skam” skal være sterk og relevant, „Rushprint” 2016, <https://rushprint.no/2016/04/nerven-i-skam-skal-vaere-sterk-og-relevant/>
Green D., The most popular social media platforms with Gen Z, „Business Insider” 2019, <https://www.businessinsider.com/gen-z-loves-snapchat-instagram-and-youtube-social-media-2019-6?IR=T>
Jenkins H., Kultura konwergencji. Zderzenie starych i nowych mediów, przeł. M. Filiciak, Warszawa 2007
Jørgensen K.K., Mener „Skam” burde være pensum, „NRK”, 2016, <https://www.nrk.no/livsstil/me-ner-_skam_-burde-vaere-pensum-1.12959025>
Leszkiewicz A., Skam, interrupted: why is the phenomenally popular teen drama ending before its peak?, „New Statesman” 2017, <https://www.newstatesman.com/culture/tv-radio/2017/06/skam-interrupted-why-phenomenally-popular-teen-drama-ending-its-peak>
Leszkiewicz A., Skam: how one Norwegian teen drama got the TV depiction of sexual assault right, „New Statesman” 2017, <https://www.newstatesman.com/culture/tv-radio/2017/03/skam-how-one-norwegian-teen-drama-got-tv-depiction-sexual-assault-right>
Max D.T., „SKAM”, the radical teen drama that unfolds one post at a time, „New Yorker” 2018, <https://www.newyorker.com/magazine/2018/06/18/skam-the-radical-teen-drama-that-unfolds-one-post-at-a-time>
Nilsen K.S., Elnan C., Why NRK can’t translate Skam, „NRK” 2016, <https://www.nrk.no/kultur/why-nrk-can_t-translate-skam-1.13208362>
Taylor T., How Skam’s Isak and Even revolutionized teen TV, „Interview Magazine” 2017, <https://www.interviewmagazine.com/film/skams-isak-even-revolutionized-teen-tv>
Tired I., Fjelletveit I., Skam-skuespillerne møtte William og Kate. Men hertugparet hadde neppe sett serien, „Aftenposten” 2018, <https://www.aftenposten.no/verden/i/MgLRkK/skam-skuespillerne-moette-william-og-kate-men-hertugparet-hadde-neppe-sett-serien>
Woldsdal N., Michelsen I., Skam slår alle rekorder, „NRK” 2016, <https://www.nrk.no/kultur/skam-slar-alle-rekorder-1.13282929>
License
Authors
Authors of texts accepted for publication in Images are required to complete, sign and return to the editor's office the Agreement for granting a royalty-free license to works with a commitment to grant a CC sub-license.
Under the agreement, the authors of texts published in Images grant the Adam Mickiewicz University in Poznań a non-exclusive, royalty-free license and authorize the use of Attribution 4.0. License (CC BY 4.0). Creative Commons sub-license.
The authors retain the right to continue the free disposal of the work.
Users
Interested Internet users are entitled to use works published in Images since 2016, for non-commercial purposes only, under the following conditions:
- attribution - obligation to provide, together with the distributed work, information about the authorship, title, source (link to the original work, DOI) and the license itself.
- no derivatives - the work must be preserved in its original form, without the author's consent it is not possible to distribute the modified work, such as translations, publications, etc.
Copyrights are reserved for all texts published before 2016.
Miscellaneous
Adam Mickiewicz University in Poznań retains the right to magazines as a whole (layout, graphic form, title, cover design, logo etc.).