Abstract
The purpose of this article is to show the relationship between art, photography and architectural spaces that create new creative visions in these areas. The explored topic reveals a situation that affects the understanding of the current role of architecture, where previously there was no place for abstract concepts. Today this gap is complemented by artists as well as by architects, who often straddle architectural practice and a desire to be an artist. The penetration of these attitudes creates a situation in which the previously outlined boundaries of both disciplines are being crossed, in what might be called the transgression of art and architecture. As a result, a relationship between an artist and a given space is created. But what effect has this on the understanding of the relationship? What can we learn from these relationships?References
Miasto w sztuce – sztuka miasta, red. E. Rewers, Universitas, Kraków 2010, s. 6.
W. S. Johnson, M. Rice, C. Williams, A History of Photography. From 1839 to the present, George Eastman House, Rochester, NY, Köln, New York 2010, s. 91‒92.
M. Michałowska, Fotografia i miasto – dyskurs spojrzenia, w: Miasto w sztuce – sztuka miasta, op. cit., s. 414.
B. Osińska, Sztuka i czas, WSiP, Warszawa 1988, s. 81.
J. Dominiczak, Miasto dialogiczne, część III: Architektura czasu, „Architektura” 2002, nr 12, s. 58.
M. Bieńczyk, Przezroczystość, „Znak”, Kraków 2007, s. 168.
Ch. Norberg-Schulz, Bycie, przestrzeń i architektura, przeł. B. Gadomska, „Murator”, Warszawa 2000, s. 32.
B. van Berkel, C. Bos, Niepoprawni wizjonerzy, przeł. H. Szulczewska, „Murator”, Warszawa 2000, s. 7.
J. Berdyszak, Kilka doświadczeń z fotografią efemeryczną, Prace naukowe Wyższej Szkoły Pedagogicznej w Częstochowie, Częstochowa 2003, s. 245.
J. Berdyszak, Fotografia jako skamielina i jako zwierciadło odbijające efemerycznie, Prace naukowe Wyższej Szkoły Pedagogicznej w Częstochowie, Częstochowa 2003, s. 16.
J. Niewiara, Na granicy sztuki i architektury, „Architektura & Biznes” 2004, nr 3, s. 42.
License
Authors
Authors of texts accepted for publication in Images are required to complete, sign and return to the editor's office the Agreement for granting a royalty-free license to works with a commitment to grant a CC sub-license.
Under the agreement, the authors of texts published in Images grant the Adam Mickiewicz University in Poznań a non-exclusive, royalty-free license and authorize the use of Attribution 4.0. License (CC BY 4.0). Creative Commons sub-license.
The authors retain the right to continue the free disposal of the work.
Users
Interested Internet users are entitled to use works published in Images since 2016, for non-commercial purposes only, under the following conditions:
- attribution - obligation to provide, together with the distributed work, information about the authorship, title, source (link to the original work, DOI) and the license itself.
- no derivatives - the work must be preserved in its original form, without the author's consent it is not possible to distribute the modified work, such as translations, publications, etc.
Copyrights are reserved for all texts published before 2016.
Miscellaneous
Adam Mickiewicz University in Poznań retains the right to magazines as a whole (layout, graphic form, title, cover design, logo etc.).