Table of Contents
| The Human Scale | PDF (Polish) |
| Jadwiga Huckova | 5-16 |
| Woody Allen's Manhattan. Poetics of the Introduction | PDF (Polish) |
| Marek Hendrykowski | 17-31 |
| Dark memories in the provincial words of Ingmar Bergman's Fanny and Alexander and Federico Fellini's Amarcord | |
| Anders Marklund | 33-42 |
| A City in Lailonia. Remarks from a screenwriter | PDF (Polish) |
| Jan Zamojski | 43-63 |
| The City in Perpetual Motion. Berlin: Symphony of a Metropolis (1927) by Walter Ruttman | PDF (Polish) |
| Małgorzata Hendrykowska | 65-76 |
| The Annihilation of a City. Warsaw in Roman Polanski's The Pianist | PDF (Polish) |
| Mikołaj Jazdon | 77-95 |
| Exciting Prague Leporello. Prague, the Restless Heart of Europe (1984), a film by Vera Chytilova | PDF (Polish) |
| Tomas Hucko | 97-106 |
| The City According to Mike Leigh | |
| Anna Śliwińska | 107-113 |
| Madrid on film and in painting. About Goya’s Ghosts by Milos Forman | PDF (Polish) |
| Krzysztof Kozłowski | 115-126 |
| Celeberrimae urbes - celebres praedicatores. O medialnym znaczeniu mnichów żebrzących w średniowiecznym mieście | PDF (Polish) |
| Anna Igielska | 127-138 |
| “The World from Dawn til Dask”. Contemporary Images of the City in the Documentary Projects of Maciej Drygas and Mirosław Dembiński | PDF (Polish) |
| Katarzyna Mąka-Malatyńska | 139-149 |
| The City and its hidden dimension in art | PDF (Polish) |
| Remigiusz Koniecko | 151-172 |
| Underwater, cosmic, spiritual. Russian cities in Scandinavian documentaries | PDF (Polish) |
| Anna Estera Mrozewicz | 173-192 |
| At Warsaw: imaginations and reality. Documentary stories about the capital, its residents and newcomers called “provincial jars” | PDF (Polish) |
| Małgorzata Smoleń | 193-205 |
| Genre and aesthetic analysis of The Jetty by Chris Marker. Interpretation of the film as a case of “possible cinema” | PDF (Polish) |
| Adam Domalewski | 207-217 |
| Warsaw - a city that does not exist | PDF (Polish) |
| Justyna Czaja | 219-225 |
| Cinematic City Łódź through eyes of the Film School. Students and Professors | PDF (Polish) |
| Marek Hendrykowski | 227-241 |
| Between high culture and popular culture. The music of George Gershwin in Manhattan by Woody Allen | PDF (Polish) |
| Piotr Pomostowski | 243-255 |
| Eat or Be Eaten. The City of Macunaíma | PDF (Polish) |
| Patrycja Rojek | 257-264 |
| Moscow in black and white - three film portraits of the city | PDF (Polish) |
| Justyna Czaja | 265-273 |
| Photographic enclave. New York City and its inhabitants through camera lens | PDF (Polish) |
| Justyna Sulejewska | 275-282 |
| The memory of the city and demand for authenticity on the example of film The Lives of Others | PDF (Polish) |
| Magdalena Dobkiewicz | 283-289 |
| Big city life in the Second Commonwealth of Poland in Polish interwar feature films. An Introduction | PDF (Polish) |
| Wojciech Otto | 291-305 |
| The Colour of Urban Areas in David Fincher’s Seven | PDF (Polish) |
| Małgorzata Choczaj | 307-316 |
Filmmaker workshop
| Labor in a single shot: a history of 21st-century professional activities through a camera lens | PDF (Polish) |
| Aleksandra Hirszfeld | 319-326 |
Author Gallery
| Yassen Hristov - Author Gallery | PDF (Polish) |
| Yassen Hristov | 327-332 |
Varia
| Reformer and Outstanding Politician or Rake on a Metaphysical Scale. Two Portraits of Tsar Ivan the Terrible in Russian Cinema | PDF (Polish) |
| Andrzej Szpulak | 334-341 |
| A History of Polish Film Units from a present-day perspective | PDF (Polish) |
| Marek Hendrykowski | 341-351 |
| Ambiguity of Melancholy | PDF (Polish) |
| Monika Proszak, Anna Żymełka | 351-354 |
