Vol. 12 No. 21 (2013)

Published 2015 October 13

Cinema and City Life

Jadwiga Huckova

5-16

The Human Scale

https://doi.org/10.14746/i.2013.21.01

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Marek Hendrykowski

17-31

Woody Allen's Manhattan. Poetics of the Introduction

https://doi.org/10.14746/i.2013.21.02

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Anders Marklund

33-42

Dark memories in the provincial words of Ingmar Bergman's Fanny and Alexander and Federico Fellini's Amarcord

https://doi.org/10.14746/i.2013.21.03

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Jan Zamojski

43-63

A City in Lailonia. Remarks from a screenwriter

https://doi.org/10.14746/i.2013.21.04

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Małgorzata Hendrykowska

65-76

The City in Perpetual Motion. Berlin: Symphony of a Metropolis (1927) by Walter Ruttman

https://doi.org/10.14746/i.2013.21.05

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Mikołaj Jazdon

77-95

The Annihilation of a City. Warsaw in Roman Polanski's The Pianist

https://doi.org/10.14746/i.2013.21.06

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Tomas Hucko

97-106

Exciting Prague Leporello. Prague, the Restless Heart of Europe (1984), a film by Vera Chytilova

https://doi.org/10.14746/i.2013.21.07

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Anna Śliwińska

107-113

The City According to Mike Leigh

https://doi.org/10.14746/i.2013.21.08

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Krzysztof Kozłowski

115-126

Madrid on film and in painting. About Goya’s Ghosts by Milos Forman

https://doi.org/10.14746/i.2013.21.09

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Anna Igielska

127-138

Celeberrimae urbes - celebres praedicatores. O medialnym znaczeniu mnichów żebrzących w średniowiecznym mieście

https://doi.org/10.14746/i.2013.21.10

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Katarzyna Mąka-Malatyńska

139-149

“The World from Dawn til Dask”. Contemporary Images of the City in the Documentary Projects of Maciej Drygas and Mirosław Dembiński

https://doi.org/10.14746/i.2013.21.11

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Remigiusz Koniecko

151-172

The City and its hidden dimension in art

https://doi.org/10.14746/i.2013.21.12

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Anna Estera Mrozewicz

173-192

Underwater, cosmic, spiritual. Russian cities in Scandinavian documentaries

https://doi.org/10.14746/i.2013.21.13

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Małgorzata Smoleń

193-205

At Warsaw: imaginations and reality. Documentary stories about the capital, its residents and newcomers called “provincial jars”

https://doi.org/10.14746/i.2013.21.14

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Adam Domalewski

207-217

Genre and aesthetic analysis of The Jetty by Chris Marker. Interpretation of the film as a case of “possible cinema”

https://doi.org/10.14746/i.2013.21.15

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Justyna Czaja

219-225

Warsaw - a city that does not exist

https://doi.org/10.14746/i.2013.21.16

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Marek Hendrykowski

227-241

Cinematic City Łódź through eyes of the Film School. Students and Professors

https://doi.org/10.14746/i.2013.21.17

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Piotr Pomostowski

243-255

Between high culture and popular culture. The music of George Gershwin in Manhattan by Woody Allen

https://doi.org/10.14746/i.2013.21.18

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Patrycja Rojek

257-264

Eat or Be Eaten. The City of Macunaíma

https://doi.org/10.14746/i.2013.21.19

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Justyna Czaja

265-273

Moscow in black and white - three film portraits of the city

https://doi.org/10.14746/i.2013.21.20

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Justyna Sulejewska

275-282

Photographic enclave. New York City and its inhabitants through camera lens

https://doi.org/10.14746/i.2013.21.21

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Magdalena Dobkiewicz

283-289

The memory of the city and demand for authenticity on the example of film The Lives of Others

https://doi.org/10.14746/i.2013.21.22

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Wojciech Otto

291-305

Big city life in the Second Commonwealth of Poland in Polish interwar feature films. An Introduction

https://doi.org/10.14746/i.2013.21.23

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Małgorzata Choczaj

307-316

The Colour of Urban Areas in David Fincher’s Seven

https://doi.org/10.14746/i.2013.21.24

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Filmmaker workshop

Aleksandra Hirszfeld

319-326

Labor in a single shot: a history of 21st-century professional activities through a camera lens

https://doi.org/10.14746/i.2013.21.25

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Author Gallery

Yassen Hristov

327-332

Yassen Hristov - Author Gallery

https://doi.org/10.14746/i.2013.21.26

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Varia

Andrzej Szpulak

334-341

Reformer and Outstanding Politician or Rake on a Metaphysical Scale. Two Portraits of Tsar Ivan the Terrible in Russian Cinema

https://doi.org/10.14746/i.2013.21.27

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Marek Hendrykowski

341-351

A History of Polish Film Units from a present-day perspective

https://doi.org/10.14746/i.2013.21.28

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Monika Proszak, Anna Żymełka

351-354

Ambiguity of Melancholy

https://doi.org/10.14746/i.2013.21.29

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