Abstract
The study assesses the changing nature of the Polish art in the period of liberalization after Stalin’s death. It includes detailed analysis of various (social, political, philosophical and especially aesthetic) implications for important issues such as: poetry, drama, cinema, peinture, sculpture, song, popular culture etc.
Marek Hendrykowski provides case studies that lead to alternative ways of viewing current conceptual frameworks of aesthetics and its consequences for interdisciplinary reflexion on arts.
References
Praca zbiorowa pt. Odwilż.Poznań, Muzeum Narodowe 1966, z okazji wystawy zatytułowanej „Odwilż", której pomysłodawcą i kuratorem był historyk sztuki, prof. Piotr Piotrowski z UAM.
P. Juszkiewicz, Od rozkoszy historiozofii do gry w nic. Polska krytyka artystyczna czasu Odwilży, Poznań 2006.
M. Hendrykowski, Komeda, Poznań 2009.
S. Eisenstein, Dickens, Griffith i my, przeł. I. Piotrowska, w: Wybór pism, wybór, wstęp i redakcja Reginy Dreyer, Warszawa 1959.
S. Eisenstein, W zbliżeniu, przeł. M. Kumorek, w: Wybór pism, wybór, wstęp i redakcja Reginy Dreyer, Warszawa 1959.
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