Keywords
the Thaw
Ukrainian cinema
Soviet cinema
How to Cite
Abstract
The article presents the films Sergei Parajanov made at the Kiev studio between 1955–1962: Andriesh, The First Lad, Ukrainian Rhapsody, Flower on the Stone and documentaries: Dumka, Golden Hands, Natalya Ushvij. The author focuses on the context of making films and their incorporation into the traditional conventions of Soviet cinema, as well as presenting the sources of the director’s interest in Ukrainian culture.
References
Chmielewski K., Siergiej Paradżanow. W poszukiwaniu piękna przedmiotu, [w:] Autorzy kina europejskiego III, red. A. Helman, A. Pitrus, Kraków 2007, s. 281–301
Grigorian L., Paradżanow, Moskwa 2011 DOI: https://doi.org/10.5402/2011/374314
Paradżanow S., Granat lubwi, red. W. Westerman, Moskwa 2020
Paradżanow S., Kolaż na fonie awtoportrieta, red. K. Cereteli, Niżnij Nowogrod 2005
Siergiej Paradżanow (Sarkis Paradżanian), red. L. Czapliński, B. Zmudziński, Kraków 1998
Skuratowskij W., Tieni zabytych filmow, [w:] Ekrannyj mir Siergieja Paradżanowa: sbornik statiej, red. J. Morozow, Kijów 2013, s. 42–43 Steffen J., The Cinema of Sergei Parajanov, Wisconsin 2013
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Copyright (c) 2023 Joanna Wojnicka
This work is licensed under a Creative Commons Attribution 4.0 International License.