Keywords
new film history
film theory
film studies methodology
How to Cite
Abstract
Methodology of New Film History
The article deals with the specifi city of modern historiographic methods used by film historians connected with the worldwide formation labeled New Film History that started in the mid-1980s. The main thesis focuses on notions associated with a variety of historical sources, re-visions that contradict classic film history and the importance of close-readings including the cultural contexts of the film as art, as well as a medium of audiovisual communication.
References
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S. Kracauer, From Caligari to Hitler. A Psychological History of the German Film, Dobson, London 1947.
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J. Toeplitz, Historia sztuki filmowej, t. 2: 1918–1928, Filmowa Agencja Wydawnicza, Warszawa 1956; t. 3: 1928–1933, Filmowa Agencja Wydawnicza, Warszawa 1959; t. 4: 1934–1939, Filmowa AgencjaWydawnicza, Warszawa 1969.
J. Toeplitz, Historia sztuki filmowej, t. 3: 1928–1933, s. 394–402.
R.C. Allen, D. Gomery, Film History: Theory and Practice, McGraw-Hill, New York 1985.
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© by Adam Mickiewicz University, Poznań, 2015
OPEN ACCESS