Abstract
Permutation Art as a Form of Resistance in Experimental CinemaThis study aims to present two examples of permutation films as forms through which experimental cinema resisted the reality of the 1970s. The analysis is based on two works by members of the Workshop of the Film Form: “1, 2, 3... Cinematographers Exercise” by Paweł Kwiek and “Apnoea” by Wojciech Bruszewski. Analysis and comparison of the two oeuvres is performed with the use of methods characteristic for these types of cinematic forms. This work also discusses the idea and historical context of permutation art and presents its relationship with particular current activities in the field of art.
References
Kluszczyński R.W., 2012, Przestrzenie generatywności. Wprowadzenie do twórczości Wojciecha Bruszewskiego, „Dialog” nr 7–8.
Meigh-Andrews C., 2006, A History of Video Art, Berg, New York.
Ronduda Ł., 2009, Sztuka polska lat 70. Awangarda, Warszawa.
Shanken E.A., 2009, Art and Electronic Media, London.
Warsztat Formy Filmowej 1970–1977, 2000, red. R.W. Kluszczyński, Warszawa.
Wilson S., 2002, Information Arts, Intersections of Art, Science, and Technology, Cambridge, Mass.
Zagrodzki J., 2010, Bruszewski. Fenomeny percepcji, Łódź.
www.artmuseum.pl/pl/filmoteka/praca/bruszewski-wojciech-bezdech>.
www.artmuseum.pl/pl/filmoteka/praca/kwiek-pawel-123-cwiczenie-peratorskie>.
License
Authors
Authors of texts accepted for publication in Images are required to complete, sign and return to the editor's office the Agreement for granting a royalty-free license to works with a commitment to grant a CC sub-license.
Under the agreement, the authors of texts published in Images grant the Adam Mickiewicz University in Poznań a non-exclusive, royalty-free license and authorize the use of Attribution 4.0. License (CC BY 4.0). Creative Commons sub-license.
The authors retain the right to continue the free disposal of the work.
Users
Interested Internet users are entitled to use works published in Images since 2016, for non-commercial purposes only, under the following conditions:
- attribution - obligation to provide, together with the distributed work, information about the authorship, title, source (link to the original work, DOI) and the license itself.
- no derivatives - the work must be preserved in its original form, without the author's consent it is not possible to distribute the modified work, such as translations, publications, etc.
Copyrights are reserved for all texts published before 2016.
Miscellaneous
Adam Mickiewicz University in Poznań retains the right to magazines as a whole (layout, graphic form, title, cover design, logo etc.).