Keywords
Walt Disney Animation Studios
The Princess and the Frog
Tangled
Frozen
axiology and the aesthetics in animated fairy tale films
How to Cite
Abstract
Film fairy tales exhausted.The impact of postmodernism on the change in Disney film adaptations of fairy talesThe author gives attention to the issue of modern adaptations of fairy tales produced by Walt Disney Animation Studios. The three selected films: The Princess and the Frog (2009), Tangled (2010) and Frozen (2013) show the changes taking place in the sphere of axiology and the aesthetics in animated fairy tale films under the influence of postmodern trends. She notes that the intertextual dialogue takes place not only at the literature-film level, but also between earlier and later adaptations. On the basis of this analysis, she tries to determine the type of viewer to whom the newly-created message is addressed.
References
Baudrillard J., 1998, Precesja symulakrów, w: Postmodernizm. Antologia przekładów, red. R. Nycz, Kraków.
Bettelheim B., 1996, Cudowne i pożyteczne. O znaczeniach i wartościach baśni, przeł. D. Danek, Warszawa.
Gellner E., 1997, Postmodernizm, rozum i religia, przeł. M. Kowalczuk, Warszawa.
Hains R.C., 2014, The Princess Problem: Guiding Our Girls through the Princess-Obsessed Years, Naperville.
Kalarus O., 2014, Królewna Śnieżka kontra postmodernizm. Na podstawie twórczości Donalda Barthemelego, Andrzeja Sapkowskiego i Kaori Yuki,
w: Baśń we współczesnej kulturze. T. 1 : Niewyczerpana moc baśni: literatura-sztuka-kultura masowa, red. K. Ćwiklak, Poznań.
Kostecka W., 2014, Baśń postmodernistyczna, Warszawa.
Lyotard J.-F., 1998, Odpowiedź na pytanie: co to jest postmodernizm?, przeł. M.P. Markowski, w: Postmodernizm. Antologia przekładów, red. R. Nycz, Kraków.
Matyas V., 2010, Tale as Old as Time: A Textual Analysis of Race and Gender in Disney Princess Films, Hamilton.
McHale B., 1998, Od powieści modernistycznej do postmodernistycznej: zmiana dominanty, przeł. M.P. Markowski, w: Postmodernizm. Antologia przekładów, red. R. Nycz, Kraków.
Owens C., 1998, Dyskurs innych: Feministki i postmodernizm, w: Postmodernizm. Antologia przekładów, red. R. Nycz, przeł. M. Sugiera, Kraków.
Propp W., 2011, Morfologia bajki magicznej, przeł. P. Rojek, Kraków.
Schiller H.I., 1976, Sternicy świadomości, przeł. U. Szczepańska, Kraków.
Sztuka animacji. Od ołówka do piksela. Historia filmu animowanego, 2006, red. J. Beck, przeł. E. Romkowska i A. Kołodyński, Warszawa.
License
Authors
Authors of texts accepted for publication in Images are required to complete, sign and return to the editor's office the Agreement for granting a royalty-free license to works with a commitment to grant a CC sub-license.
Under the agreement, the authors of texts published in Images grant the Adam Mickiewicz University in Poznań a non-exclusive, royalty-free license and authorize the use of Attribution 4.0. License (CC BY 4.0). Creative Commons sub-license.
The authors retain the right to continue the free disposal of the work.
Users
Interested Internet users are entitled to use works published in Images since 2016, for non-commercial purposes only, under the following conditions:
- attribution - obligation to provide, together with the distributed work, information about the authorship, title, source (link to the original work, DOI) and the license itself.
- no derivatives - the work must be preserved in its original form, without the author's consent it is not possible to distribute the modified work, such as translations, publications, etc.
Copyrights are reserved for all texts published before 2016.
Miscellaneous
Adam Mickiewicz University in Poznań retains the right to magazines as a whole (layout, graphic form, title, cover design, logo etc.).