“We’ll repaint it all”. The use of color as a storytelling device in Agnieszka Woszczyńska’s Fragments
PDF (Język Polski)

Keywords

Fragments
Agnieszka Woszczyńska
color in film

How to Cite

ROJEK, P. (2016). “We’ll repaint it all”. The use of color as a storytelling device in Agnieszka Woszczyńska’s Fragments. Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, 18(27), 235–246. https://doi.org/10.14746/i.2016.27.17.

Abstract

“We’ll repaint it all”. The use of color as a storytelling device in Agnieszka Woszczyńska’s Fragments

In her short Fragments Agnieszka Woszczyńska applies film color as a storytelling device. Oscillating between the natural and expressionistic use of color, she builds not only a characters outer world but also an image of the characters unspoken motivations. The article contains a profound color analysis of Fragments that covers such issues as the functioning of ocularcentrism as a film leitmotiv and the appearance of the focalizer in film narration.

https://doi.org/10.14746/i.2016.27.17.
PDF (Język Polski)

References

Bal M., 2012, Narratologia. Wprowadzenie do teorii narracji, przekł. pod red. E. Kraskowskiej i E. Rajewskiej, Kraków.

Choczaj M., 2015, Dramaturgia barw w „Zaginionej dziewczynie” Davida Finchera, „Images” vol. XVI, nr 25.

Grouchnikov K., 2013, Production design of “House of Cards”–interview with Steve Arnold, http://www.pushing-pixels.org/2013/12/29/production-design-of-house-of-cards-interview-with-steve-arnold.html> [dostęp: 20.03.2016].

Różdżyńska A., 2014, Zmienić absolutnie wszystko [wywiad z Agnieszką Woszczyńską], http://www.pisf.pl/aktualnosci/wiadomosci/zmienic-absolutnie-wszystko> [dostęp: 20.03.2016].