The Lambeth Walk, or the spectator liberated from the pressure of the picture
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Keywords

lambeth walk
The Borough of Lambeth
popular culture
dance
parody
footage film
stunt scene
film poetics
editing
language of moving pictures

How to Cite

HENDRYKOWSKI, M. (2016). The Lambeth Walk, or the spectator liberated from the pressure of the picture. Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, 18(27), 97–110. https://doi.org/10.14746/i.2016.27.06.

Abstract

The Lambeth Walk, or the spectator liberated from the pressure of the picture

A quintessential work of British and European cinema of World War II “The Lambeth Walk” is the epitome of world-class art of moving picture editing. Marek Hendrykowskis close-reading analysis places this short movie in its aesthetic, cultural and generic contexts and in the international landscape of the anti-propaganda film.

https://doi.org/10.14746/i.2016.27.06.
PDF (Język Polski)

References

Hendrykowski M., 2014, Semiotyka ruchomych obrazów, Poznań.

Kracauer S., 1958, Hitlerowski film wojenny w służbie propagandy. Suplement książki: Od Caligariego do Hitlera. Z psychologii filmu niemieckiego, przeł. E. Skrzywanowa i W. Wertenstein, Warszawa.

Lane L., 1946, How To Become A Comedian, London.