Abstract
The article is the introduction to Stanisław Bareja’s master’s thesis Zagadnienia realizacji filmów z ukrytej kamery stanowiących część telewizyjnych programów rozrywkowych [Candid camera filmmaking for entertainment TV programs, 1974]. It points out the American background of the candid camera genre, like Allen Funt’s production, which started in 1948 [ABC], and specifies the main focus of Bareja’ thesis, e.g. multi-stage process of making candid camera clips for Polish TV and the mechanics of making audience laugh.References
M. Replewicz, Stanisław Bareja. Król krzywego zwierciadła, Wydawnictwo Zysk i S-ka, Poznań 2009, s. 161, 317.
J. Gruza, 40 lat minęło jak jeden dzień, Czytelnik, Warszawa 1998, s. 131.
M. Loomis, Candid Camera, w: Encyclopedia of Television, vol. 1, ed. H. Newcomb, FitzroyDearborn, New York 2004, s. 443.
B. Yesil, Reel Pleasures: Exploring the Historical Roots of Media Voyeurism and Exhibitionism, “Counterblast: The e-Journal of Culture and Communication” 2001 (November), vol. 1, no. 1, s. 3 [online], <http://pdf.aminer.org/000/306/377/voyeurism_exhibitionism_and_privacy_on_the_internet.pdf>[dostęp: 2 lipca 2014].
S. Milgram, J. Sabini, Candid Camera, „Society” 1979, nr 16, s. 72–75.
PIK, Poezja i obyczaje, „Gazeta Robotnicza” 1972, nr 40, s. 7.
License
Authors
Authors of texts accepted for publication in Images are required to complete, sign and return to the editor's office the Agreement for granting a royalty-free license to works with a commitment to grant a CC sub-license.
Under the agreement, the authors of texts published in Images grant the Adam Mickiewicz University in Poznań a non-exclusive, royalty-free license and authorize the use of Attribution 4.0. License (CC BY 4.0). Creative Commons sub-license.
The authors retain the right to continue the free disposal of the work.
Users
Interested Internet users are entitled to use works published in Images since 2016, for non-commercial purposes only, under the following conditions:
- attribution - obligation to provide, together with the distributed work, information about the authorship, title, source (link to the original work, DOI) and the license itself.
- no derivatives - the work must be preserved in its original form, without the author's consent it is not possible to distribute the modified work, such as translations, publications, etc.
Copyrights are reserved for all texts published before 2016.
Miscellaneous
Adam Mickiewicz University in Poznań retains the right to magazines as a whole (layout, graphic form, title, cover design, logo etc.).