Vol. 9 No. 17-18 (2011): (Over)using the Holocaust, Part II: Echoes
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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Vol. 9 No. 17-18 (2011)
Published 2015 December 4
(Over)using the Holocaust, Part II: Echoes
Volume editors: Katarzyna Mąka-Malatyńska, Marek Kaźmierczak
Dan Soen, Nitza Davidovich
5-27
Israeli Youth Pilgrimages to Poland. Rationale and Polemics
https://doi.org/10.14746/i.2011.17.18.01
PDF
Marek Hendrykowski
29-52
Holocaust Survivors. A Study on the Poetics of Documentary Films
https://doi.org/10.14746/i.2011.17.18.02
PDF
Anna Śliwińska
53-68
The Pianist – the image of a ghetto in the film language of Roman Polanski
https://doi.org/10.14746/i.2011.17.18.03
PDF (Język Polski)
Grażyna Gajewska
69 - 82
Postmemory in the popular culture on the example of the comic novel “Achtung Zelig! The Second War” by Krzysztof Gawronkiewicz & Krystian RosenbergPostmemory in the popular culture on the example of the comic novel “Achtung Zelig! The Second War” by Krzysztof Gawronkiewicz & Krystian Rosenberg
https://doi.org/10.14746/i.2011.17.18.04
PDF (Język Polski)
Magdalena Maciudzińska-Kamczycka
83-105
„I will survive” – Representation of the Holocaust in Contemporary Art
https://doi.org/10.14746/i.2011.17.18.05
PDF (Język Polski)
Marek Kaźmierczak
107-111
The oak tree
https://doi.org/10.14746/i.2011.17.18.06
PDF
Student films
Marek Hendrykowski
137-158
Andrzej Brzozowski’s Film Etudes
https://doi.org/10.14746/i.2011.17.18.07
PDF (Język Polski)
Marek Hendrykowski
159-198
Roman Polanski’s Short Films
https://doi.org/10.14746/i.2011.17.18.08
PDF (Język Polski)
Filmmaker workshop
Ryszard Brylski
115-134
Between lines, or unusual adaptation
https://doi.org/10.14746/i.2011.17.18.09
PDF (Język Polski)
Author Gallery
Marta Szymczak
199-206
Marta Szymczak - Author Gallery
https://doi.org/10.14746/i.2011.17.18.10
PDF (Język Polski)
Varia
Anna Mrozewicz
208-220
Water on the wall or exit through the concrete window. On some graffiti of Banksy
https://doi.org/10.14746/i.2011.17.18.11
PDF (Język Polski)
Andrzej Szpulak
220-231
Camera and poeta doctus? About Edward Żebrowski’s Films
https://doi.org/10.14746/i.2011.17.18.12
PDF (Język Polski)
Piotr Pławuszewski
231-235
Cinema of a large frame
https://doi.org/10.14746/i.2011.17.18.13
PDF (Język Polski)
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