Vol. 47 No. 1 (2022)

Published 2022 June 25

Full Issue

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Introduction

Elisa Kriza, Michael Düring, Beata Waligórska-Olejniczak

9-14

https://doi.org/10.14746/strp.2022.47.1.1

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Elisa Kriza, Michael Düring, Beata Waligórska-Olejniczak; Konrad Rachut

15-20

Введение

https://doi.org/10.14746/strp.2022.47.1.2

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Articles

Nicolas Dreyer

21-41

Vladimir Tuchkov’s intertextual transgression: Folklore, parody, and social criticism

https://doi.org/10.14746/strp.2022.47.1.3

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Agnieszka Juchniewicz

43-58

The comical and humorous nature of utterances in the plays by Oleg Bogayev

https://doi.org/10.14746/strp.2022.47.1.4

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Natalia Maliutina

59-73

Humorous tone as a marker of the author’s view in Nadezhda Ptushkina’s comedies

https://doi.org/10.14746/strp.2022.47.1.5

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Mirosława Michalska-Suchanek

75-89

Anna Fein’s prose. A Russian-Israeli version of Jewish humour

https://doi.org/10.14746/strp.2022.47.1.6

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Sergey Troitskiy

91-110

“Russian” humour in the context of the directions of humorous communication: The causes of Gelotophobia as a social phenomenon

https://doi.org/10.14746/strp.2022.47.1.7

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Ievgeniia Voloshchuk

111-128

„…reading apace with the soul’s beautiful impulses”: Outsiders’ laughter and the Russian twentieth century in Oleg Yuryev’s Unknown letters

https://doi.org/10.14746/strp.2022.47.1.8

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Kristina Vorontsova

129-142

The absurdity of reality in the satirical play To see Salisbury by Viktor Shenderovich

https://doi.org/10.14746/strp.2022.47.1.9

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Daria Khrushcheva

143-162

Caricature and propaganda: The image of today’s Ukraine in pro-Russian mass media (2014–2018)

https://doi.org/10.14746/strp.2022.47.1.10

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Jana Kitzlerová

163-172

Vsevolod Nekrasov’s lifephrenia

https://doi.org/10.14746/strp.2022.47.1.11

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Maria Mocarz-Kleindienst

173-185

On the intersemiotic transposition of comedic devices in audio description in Soviet film comedies

https://doi.org/10.14746/strp.2022.47.1.12

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Żanna Sładkiewicz

187-206

Intersemiotic and pragmasemantic analysis of the “Palace for Putin” meme cycle

https://doi.org/10.14746/strp.2022.47.1.13

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Marcin Trendowicz

207-227

The use of the character of Stierlitz in Russian internet memes

https://doi.org/10.14746/strp.2022.47.1.14

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Anna Weigl

229-242

Chernomyrdinki and techniques of the comic by Mikhail Zoshchenko

https://doi.org/10.14746/strp.2022.47.1.15

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Gabriela Wilk

243-260

The “second” life of Soviet comedies in internet memes during the pandemic

https://doi.org/10.14746/strp.2022.47.1.16

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