Słowa kluczowe
new film history
film theory
film studies methodology
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Abstrakt
Methodology of New Film History
The article deals with the specifi city of modern historiographic methods used by film historians connected with the worldwide formation labeled New Film History that started in the mid-1980s. The main thesis focuses on notions associated with a variety of historical sources, re-visions that contradict classic film history and the importance of close-readings including the cultural contexts of the film as art, as well as a medium of audiovisual communication.
Bibliografia
M. Hendrykowski, Słownik terminów filmowych, hasło: nouvelle histoire, Ars Nova, Poznań 1994, s. 196.
P. Rotha, The Film Till Now, Vision Press, London 1949.
L. Jacobs, The Rise of the American Film, Harcourt, Brace, New York 1939.
G. Sadoul, Histoire générale du cinéma, Flammarion, Paris 1946–1949.
S. Kracauer, From Caligari to Hitler. A Psychological History of the German Film, Dobson, London 1947.
L.H. Eisner, L’Ecran Démoniaque, André Bonne, Paris 1952.
J. Toeplitz, Historia sztuki filmowej, t. 2: 1918–1928, Filmowa Agencja Wydawnicza, Warszawa 1956; t. 3: 1928–1933, Filmowa Agencja Wydawnicza, Warszawa 1959; t. 4: 1934–1939, Filmowa AgencjaWydawnicza, Warszawa 1969.
J. Toeplitz, Historia sztuki filmowej, t. 3: 1928–1933, s. 394–402.
R.C. Allen, D. Gomery, Film History: Theory and Practice, McGraw-Hill, New York 1985.
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© 2015 Uniwersytet im. Adama Mickiewicza w Poznaniu
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