The Past and Memory in "Archive of Lives": Justyna Łuczaj-Salefs Impressionist Historical Documentary
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Keywords

Archiwum istnień
Justyna Łuczaj-Salej
historical film documentary
WW II

How to Cite

Czaja, J. (2014). The Past and Memory in "Archive of Lives": Justyna Łuczaj-Salefs Impressionist Historical Documentary. Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, 15(24), 107–112. https://doi.org/10.14746/i.2014.24.11

Abstract

The documentary film Archiwum istnień tells the story of research by Nazi anthropologists searching among the population of occupied Poland for representatives of the Aryan race. In her film, the director makes use of archival materials from World War Two (above all, photographs, propaganda film chronicles and letters). Not only does Justyna Łuczaj-Salej incorporate the above into the cinematographer’s box of tricks, but most of all, she exploits them counter to their authors’ intentions, thereby initiating a process that de-contextualises and re-contextualises these archives in a deconstruction of the past.

 

https://doi.org/10.14746/i.2014.24.11
PDF (Język Polski)

References

M. Jazdon, “Fotografie w roli głównej. O polskim filmie ikongraficznym ze zdjęć” [Photographs in the Main Role. On Polish Iconographic Cinema Based on Photographs], Kwartalnik Filmowy 2006, no. 54–55, p. 216.

J. Struk, Holocaust w fotografi ach. Interpretacja dowodów [original: Photographing the Holocaust: Interpretations of the Evidence, I.B. Tauris, 2004], trans. M. Antosiewicz, Prószyński i S-ka, Warszawa 2007.

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S. Sontag, On Photography, Carl Hanser, New York 1977, p. 15.

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