Tom 15 Nr 24 (2014): 21st-century Documentary Film in East and Central Europe

Tom 15 Nr 24 (2014)

Opublikowany 2015 lipca 4
21st-century Documentary Film in East and Central Europe
Lorant Stőhr
5-18
Inside Job. First-person Documentary in Trauma Cinema: "Balkan Champion" (2006)
https://doi.org/10.14746/i.2014.24.1
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Terez Vincze
19-26
Nostalgia and Archival Footage in Contemporary Hungarian Documentary (Gábor Zsigmond Papp: "The Life of an Agent")
https://doi.org/10.14746/i.2014.24.2
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Maria Ferencuhova
27-40
Metaphor, Metonymy and Metalepsis: Three Tropes in Contemporary Slovak Documentary
https://doi.org/10.14746/i.2014.24.3
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Lucie Česálková
41-50
Filmmakers to Themselves? Czech Documentary Cinema After 2000
https://doi.org/10.14746/i.2014.24.4
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Pavel Bednařík
51-60
Who Will Watch the Watchmen? Czech Documentary After 1989 (a Brief Resume)
https://doi.org/10.14746/i.2014.24.5
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Anna Granatowska
61-70
Between Documentary and Fiction: Authenticity and Voyeurism in the Cinema of Ulrich Seidl
https://doi.org/10.14746/i.2014.24.6
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Volha Dashuk
71-76
On the Edge
https://doi.org/10.14746/i.2014.24.7
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Anna Mikonis-Railiene
77-90
Man, History and Poetry. Dominant Tendencies in Lithuanian 21st-Century Documentary Films
https://doi.org/10.14746/i.2014.24.8
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Marek Hendrykowski
91-98
The Film Document as a Testimony of the Present: A Sceptic at the Confessional
https://doi.org/10.14746/i.2014.24.9
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Andrzej Szpulak
99-106
"The Story of the Kowalski Family" and Quarter L. Memory Messages on the Screen
https://doi.org/10.14746/i.2014.24.10
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Justyna Czaja
107-112
The Past and Memory in "Archive of Lives": Justyna Łuczaj-Salefs Impressionist Historical Documentary
https://doi.org/10.14746/i.2014.24.11
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Justyna Sulejewska
113-118
Self-reflexiveness in Photo-film Form as Illustrated by Zbigniew Czapla’s "Paper Box"
https://doi.org/10.14746/i.2014.24.12
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Michał Piepiórka
119-128
"Night with the General" - a Democratic Documentary
https://doi.org/10.14746/i.2014.24.13
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Katarzyna Citko
129-136
"Without One Tree, a Forest Will Stay a Forest" by Dagmara Drzazga As a Religious and Historical Documentary
https://doi.org/10.14746/i.2014.24.14
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Bogumiła Fiołek-Lubczyńska
137-144
Grand Theatre, Oratory and Anthropology in the Documentaries of Andrzej Fidyk
https://doi.org/10.14746/i.2014.24.15
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Urszula Tes
145-154
"Declaration of Immortality" – Inspirations Derived from Creative Documentaries by Wojciech Wiszniewski
https://doi.org/10.14746/i.2014.24.16
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Katarzyna Mąka-Malatytńska
155-164
Affirmation, Acceptance and Rejection: Polish Contemporary Documentary Filmmakers and their Relation to Poland’s Documentary Film Tradition
https://doi.org/10.14746/i.2014.24.17
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Anna Śliwińska
165-170
Satisfaction or Hard Labour? Portrait of a Ballet School in 52 Percent by Rafał Skalski
https://doi.org/10.14746/i.2014.24.18
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Etiudy

Marek Hendrykowski
171-180
Dwaj ludzie z szafą w perspektywie genologicznej
https://doi.org/10.14746/i.2014.24.19
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Marek Szponik
181-184
Prowincja polska – szczere spojrzenia
https://doi.org/10.14746/i.2014.24.20
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Joanna Sikorska
185-194
Uniwersalizm w etiudzie dokumentalnej Lecieć – nie lecieć w reżyserii Anieli Gabryel
https://doi.org/10.14746/i.2014.24.21
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Warsztat filmowca

Piotr Wojtowicz
195-206
Koncepcja ideowo-artystyczna zdjęć do filmu Tam i z powrotem. Opis autorski
https://doi.org/10.14746/i.2014.24.22
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Matej Bobrik
207-230
Autobiograficzny film dokumentalny. Eksplikacja autorska filmu "Self(less)-Portrait"
https://doi.org/10.14746/i.2014.24.23
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Aleh Dashkevich, Volha Dashuk, Beata Dzianowicz, Jolanta Kilian, Iryna Volakh, Jan Zamojski
231-148
15 Minutes: Belarus!
https://doi.org/10.14746/i.2014.24.24
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Author Gallery

Bartłomiej Talaga, Wojciech Zwoliński
249-269
Ukraina 2009–2014
https://doi.org/10.14746/i.2014.24.25
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Varia

Jadwiga Hučková
270-276
Films that Gave Us Boldness: East European Documentaries Screened in Poland (1987-1993) as Refl ected in the Film Press of the Time
https://doi.org/10.14746/i.2014.24.26
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Denis Viren
277-280
The Relationship Between Form and Content in Early Grzegorz Królikiewicz Documentaries
https://doi.org/10.14746/i.2014.24.27
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Mikołaj Jazdon
281-286
Część zamiast całości czyli sposób na cenzorów. "Szkoła podstawowa" Tomasza Zygadły – wzorcowy film kina „nowej zmiany”
https://doi.org/10.14746/i.2014.24.28
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Piotr Pławuszewski
287-294
„Takim zapamiętałem Mietka”. Władysława Ślesickiego "Płyną tratwy" (1962)
https://doi.org/10.14746/i.2014.24.29
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Tomasz Kowalski
295-301
Z Szekspirem w tle. "Opowieść zimowa" Erica Rohmera
https://doi.org/10.14746/i.2014.24.30
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Marek Hendrykowski
302-308
Autorstwo utworu audiowizualnego – substancja i struktura
https://doi.org/10.14746/i.2014.24.31
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