Vol. 15 No. 24 (2014)

Published 2015 July 4

21st-century Documentary Film in East and Central Europe

EDITOR-IN-CHIEF:
prof. UAM dr hab. Andrzej Szpulak; Department of Film, Television and New Media, Adam Mickiewicz University, Poznań

GUEST EDITORS:
prof. UAM dr hab. Katarzyna Mąka-Malatyńska; Department of Film, Television and New Media, Adam Mickiewicz University, Poznań
prof. UAM dr hab. Mikołaj Jazdon; Department of Film, Television and New Media, Adam Mickiewicz University, Poznań

Journal cover Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, volume 15, no. 24, year 2014

Lorant Stőhr

5-18

Inside Job. First-person Documentary in Trauma Cinema: "Balkan Champion" (2006)

https://doi.org/10.14746/i.2014.24.1

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Terez Vincze

19-26

Nostalgia and Archival Footage in Contemporary Hungarian Documentary (Gábor Zsigmond Papp: "The Life of an Agent")

https://doi.org/10.14746/i.2014.24.2

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Maria Ferencuhova

27-40

Metaphor, Metonymy and Metalepsis: Three Tropes in Contemporary Slovak Documentary

https://doi.org/10.14746/i.2014.24.3

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Lucie Česálková

41-50

Filmmakers to Themselves? Czech Documentary Cinema After 2000

https://doi.org/10.14746/i.2014.24.4

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Pavel Bednařík

51-60

Who Will Watch the Watchmen? Czech Documentary After 1989 (a Brief Resume)

https://doi.org/10.14746/i.2014.24.5

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Anna Granatowska

61-70

Between Documentary and Fiction: Authenticity and Voyeurism in the Cinema of Ulrich Seidl

https://doi.org/10.14746/i.2014.24.6

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Volha Dashuk

71-76

https://doi.org/10.14746/i.2014.24.7

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Anna Mikonis-Railiene

77-90

Man, History and Poetry. Dominant Tendencies in Lithuanian 21st-Century Documentary Films

https://doi.org/10.14746/i.2014.24.8

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Marek Hendrykowski

91-98

The Film Document as a Testimony of the Present: A Sceptic at the Confessional

https://doi.org/10.14746/i.2014.24.9

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Andrzej Szpulak

99-106

"The Story of the Kowalski Family" and Quarter L. Memory Messages on the Screen

https://doi.org/10.14746/i.2014.24.10

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Justyna Czaja

107-112

The Past and Memory in "Archive of Lives": Justyna Łuczaj-Salefs Impressionist Historical Documentary

https://doi.org/10.14746/i.2014.24.11

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Justyna Sulejewska

113-118

Self-reflexiveness in Photo-film Form as Illustrated by Zbigniew Czapla’s "Paper Box"

https://doi.org/10.14746/i.2014.24.12

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Michał Piepiórka

119-128

"Night with the General" - a Democratic Documentary

https://doi.org/10.14746/i.2014.24.13

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Katarzyna Citko

129-136

"Without One Tree, a Forest Will Stay a Forest" by Dagmara Drzazga As a Religious and Historical Documentary

https://doi.org/10.14746/i.2014.24.14

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Bogumiła Fiołek-Lubczyńska

137-144

Grand Theatre, Oratory and Anthropology in the Documentaries of Andrzej Fidyk

https://doi.org/10.14746/i.2014.24.15

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Urszula Tes

145-154

"Declaration of Immortality" – Inspirations Derived from Creative Documentaries by Wojciech Wiszniewski

https://doi.org/10.14746/i.2014.24.16

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Katarzyna Mąka-Malatytńska

155-164

Affirmation, Acceptance and Rejection: Polish Contemporary Documentary Filmmakers and their Relation to Poland’s Documentary Film Tradition

https://doi.org/10.14746/i.2014.24.17

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Anna Śliwińska

165-170

Satisfaction or Hard Labour? Portrait of a Ballet School in 52 Percent by Rafał Skalski

https://doi.org/10.14746/i.2014.24.18

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Student films

Marek Hendrykowski

171-180

Two People With a Wardrobe in a Genological Perspective

https://doi.org/10.14746/i.2014.24.19

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Marek Szponik

181-184

Polish province - sincere gaze

https://doi.org/10.14746/i.2014.24.20

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Joanna Sikorska

185-194

Universalism in the documentary "To Fly - Not To Fly, directed by Aniela Gabryel

https://doi.org/10.14746/i.2014.24.21

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Filmmaker workshop

Piotr Wojtowicz

195-206

The ideological and artistic concept of cinematography for the movie "There and Back". Author description

https://doi.org/10.14746/i.2014.24.22

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Matej Bobrik

207-230

Autobiographical documentary. The author's exploration of the film "Self (less) -Portrait"

https://doi.org/10.14746/i.2014.24.23

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Aleh Dashkevich, Volha Dashuk, Beata Dzianowicz, Jolanta Kilian, Iryna Volakh, Jan Zamojski

231-148

15 Minutes: Belarus!

https://doi.org/10.14746/i.2014.24.24

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Author Gallery

Bartłomiej Talaga, Wojciech Zwoliński

249-269

Ukraine 2009–2014

https://doi.org/10.14746/i.2014.24.25

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Varia

Jadwiga Hučková

270-276

Films that Gave Us Boldness: East European Documentaries Screened in Poland (1987-1993) as Refl ected in the Film Press of the Time

https://doi.org/10.14746/i.2014.24.26

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Denis Viren

277-280

The Relationship Between Form and Content in Early Grzegorz Królikiewicz Documentaries

https://doi.org/10.14746/i.2014.24.27

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Mikołaj Jazdon

281-286

A part instead of a whole or a way for censors. "Primary School" by Tomasz Zygadlo - a model movie of the "new change" cinema

https://doi.org/10.14746/i.2014.24.28

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Piotr Pławuszewski

287-294

"I've remembered Mietek like that" Władysław Ślesicki. "The Rafts Sail" (1962)

https://doi.org/10.14746/i.2014.24.29

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Tomasz Kowalski

295-301

With Shakespeare in the background. Eric Rohker's "A Tale of Winter"

https://doi.org/10.14746/i.2014.24.30

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Marek Hendrykowski

302-308

Authorship of an audiovisual work - substance and structure

https://doi.org/10.14746/i.2014.24.31

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