Keywords
Ikebana
Inochi
Sofu no chokoku
Rikyu
Go-hime
How to Cite
Abstract
Against formalism. Teshigahara Hiroshi’s dialogues with tradition and the present of visual cinematic artThe authors examine Teshigahara Hiroshi’s little-known early documentary films Ikebana and Inochi, as well as his later historical films Rikyu and Go-hime. Their aim is to demonstrate how the director refers to the themes of art and the artist in the context of visual art and the work of his father, Teshigahara Sofo.
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