Against formalism. Teshigahara Hiroshi’s dialogues with tradition and the present of visual cinematic art
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Keywords

Teshigahara Hiroshi
Ikebana
Inochi
Sofu no chokoku
Rikyu
Go-hime

How to Cite

BOCHNIARZ, M., & SZTAFIEJ, P. (2016). Against formalism. Teshigahara Hiroshi’s dialogues with tradition and the present of visual cinematic art. Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, 19(28), 273–179. https://doi.org/10.14746/i.2016.28.20.

Abstract

Against formalism. Teshigahara Hiroshi’s dialogues with tradition and the present of visual cinematic art

The authors examine Teshigahara Hiroshi’s little-known early documentary films Ikebana and Inochi, as well as his later historical films Rikyu and Go-hime. Their aim is to demonstrate how the director refers to the themes of art and the artist in the context of visual art and the work of his father, Teshigahara Sofo.

https://doi.org/10.14746/i.2016.28.20.
PDF (Język Polski)

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