Volume editors: Justyna Celeda i Wojciech Otto
Table of Contents
| Jerzy Ziomek’s theory of the actor and acting | PDF (Polish) |
| MAREK HENDRYKOWSKI | 5-14 |
| Drama – stage – actor | PDF (Polish) |
| ANNA SARNA | 35-46 |
| On the darkness of the character that transforms life | PDF (Polish) |
| MARCIN WIERZCHOWSKI | 47-60 |
| Fascinations. Peter Brook | PDF (Polish) |
| IRENEUSZ CZOP | 69-74 |
| To Play, To Imitate, To Embody. On Acting in a Biographical Film | PDF (Polish) |
| SYLWIA KOŁOS | 75-94 |
| Acting Styles of the British New Wave | PDF (Polish) |
| ANNA ŚLIWIŃSKA | 95-110 |
| A diff erent actor for each gesture.The ontology of objects in Bruno Schulz’s Street of Crocodiles and the fi lms of the Quay brothers | PDF (Polish) |
| DOMINIKA MEYER | 111-120 |
| Film actors, theatre actors? The Polish actors’ market in recent years | PDF (Polish) |
| ADAM DOMALEWSKI | 121-134 |
| Actors’ ensemble | PDF (Polish) |
| MAREK HENDRYKOWSKI | 135-146 |
| It’s a good job you survived... Jan Świderski’s fi lm actingIt’s a good job you survived... Jan Świderski’s fi lm acting | PDF (Polish) |
| MARIUSZ GUZEK | 147-156 |
| Polish actors and Yiddish cinema of the inter-war period | PDF (Polish) |
| DARIA MAZUR | 157-170 |
| Building the at of acting (casus Zbigniew Cybulski) | PDF (Polish) |
| JOLANTA TOKARCZYK | 171-184 |
Filmmaker workshop
| Believing in Murder. Working with Actors | PDF (Polish) |
| MAGNUS VON HORN | 185-198 |
| I’m yours | PDF (Polish) |
| IRENEUSZ CZOP | 199-210 |
| Working on the role –Richard III | PDF (Polish) |
| MAREK KAŁUŻYŃSKI | 211-230 |
Author Gallery
| Spektakl dyplomowy studentów Wydziału Aktorskiego Szkoły Filmowej w Łodzi | PDF (Polish) |
| MICHAŁ SIAREK | 231-246 |
Varia
| The quests and fascinations of Antoni Bohdziewicz (1906-1970) | PDF (Polish) |
| MAŁGORZATA HENDRYKOWSKA | 248-264 |
| The dark sting of degenerate nature. Sketch of the dark-romantic inspirations in Wojciech Smarzowski’s Rose | PDF (Polish) |
| ANDRZEJ SZPULAK | 265-272 |
| Against formalism. Teshigahara Hiroshi’s dialogues with tradition and the present of visual cinematic art | PDF (Polish) |
| MAREK BOCHNIARZ, PRZEMYSŁAW SZTAFIEJ | 273-179 |
| Terayama Shūji’s autobiographical fi lms against the background of the Japanese New Wave. On the boundary between cinema and theatre | PDF (Polish) |
| NIKODEM KAROLAK | 280-290 |
| Andrzej Wróblewski’s Drama | PDF (Polish) |
| MAREK HENDRYKOWSKI | 292-299 |
| The Life of Jesus by Bruno Dumont | PDF (Polish) |
| MAGNUS VON HORN | 300-330 |
