Vol. 19 No. 28 (2016): Actor, Acting

Vol. 19 No. 28 (2016)

Published 2016 November 3
Actor, Acting
Volume editors: Justyna Celeda i Wojciech Otto
MAREK HENDRYKOWSKI
5-14
Jerzy Ziomek’s theory of the actor and acting
https://doi.org/10.14746/i.2016.28.01.
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PIOTR SKRZYPCZAK
15-34
The General Theory of the Actor and Acting? On the traditional methodology of research in the domain of film acting from the perspective of the theory of performing
https://doi.org/10.14746/i.2016.28.02.
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ANNA SARNA
35-46
Drama – stage – actor
https://doi.org/10.14746//i.2016.28.03.
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MARCIN WIERZCHOWSKI
47-60
On the darkness of the character that transforms life
https://doi.org/10.14746/i.2016.28.4.
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BRONISŁAW WROCŁAWSKI
61-68
Five questions on the character within the STAND UP COMEDY convention – based on the following shows: Sex, drugs and rock’n’roll, and Head-hammering nails into the floor
https://doi.org/10.14746/i.2016.28.05.
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IRENEUSZ CZOP
69-74
Fascinations. Peter Brook
https://doi.org/10.14746//i.2016.28.06.
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SYLWIA KOŁOS
75-94
To Play, To Imitate, To Embody. On Acting in a Biographical Film
https://doi.org/10.14746/i.2016.28.07.
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ANNA ŚLIWIŃSKA
95-110
Acting Styles of the British New Wave
https://doi.org/10.14746/i.2016.28.08.
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DOMINIKA MEYER
111-120
A diff erent actor for each gesture.The ontology of objects in Bruno Schulz’s Street of Crocodiles and the fi lms of the Quay brothers
https://doi.org/10.14746/i.2016.28.09.
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ADAM DOMALEWSKI
121-134
Film actors, theatre actors? The Polish actors’ market in recent years
https://doi.org/10.14746/i.2016.28.10.
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MAREK HENDRYKOWSKI
135-146
Actors’ ensemble
https://doi.org/10.14746/i.2016.28.11.
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MARIUSZ GUZEK
147-156
It’s a good job you survived... Jan Świderski’s fi lm actingIt’s a good job you survived... Jan Świderski’s fi lm acting
https://doi.org/10.14746/i.2016.28.12.
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DARIA MAZUR
157-170
Polish actors and Yiddish cinema of the inter-war period
https://doi.org/10.14746/i.2016.28.13.
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JOLANTA TOKARCZYK
171-184
Building the at of acting (casus Zbigniew Cybulski)
https://doi.org/10.14746/i.2016.28.14.
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Filmmaker workshop

MAGNUS VON HORN
185-198
Believing in Murder. Working with Actors
https://doi.org/10.14746/i.2016.28.15.
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IRENEUSZ CZOP
199-210
I’m yours
https://doi.org/10.14746/i.2016.28.16.
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MAREK KAŁUŻYŃSKI
211-230
Working on the role –Richard III
https://doi.org/10.14746/i.2016.28.17.
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Author Gallery

MICHAŁ SIAREK
231-246
Spektakl dyplomowy studentów Wydziału Aktorskiego Szkoły Filmowej w Łodzi
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Varia

MAŁGORZATA HENDRYKOWSKA
248-264
The quests and fascinations of Antoni Bohdziewicz (1906-1970)
https://doi.org/10.14746/i.2016.28.18.
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ANDRZEJ SZPULAK
265-272
The dark sting of degenerate nature. Sketch of the dark-romantic inspirations in Wojciech Smarzowski’s Rose
https://doi.org/10.14746/i.2016.28.19.
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MAREK BOCHNIARZ, PRZEMYSŁAW SZTAFIEJ
273-179
Against formalism. Teshigahara Hiroshi’s dialogues with tradition and the present of visual cinematic art
https://doi.org/10.14746/i.2016.28.20.
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NIKODEM KAROLAK
280-290
Terayama Shūji’s autobiographical fi lms against the background of the Japanese New Wave. On the boundary between cinema and theatre
https://doi.org/10.14746/i.2016.28.21.
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MAREK HENDRYKOWSKI
292-299
Andrzej Wróblewski’s Drama
https://doi.org/10.14746/i.2016.28.22.
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MAGNUS VON HORN
300-330
The Life of Jesus by Bruno Dumont
https://doi.org/10.14746/i.2016.28.23.
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