Abstrakt
The paper strives to investigate the relationship of female sexuality, magic and religion in film based on the comparison of two selected films. The three themes have been often seen as intertwined especially by religion, which has built an image of a female witch in alliance with the devil, or evil forces. The research aims to answer the question whether postmodern cinema embraces the combination of the aforementioned themes often associated, historically, with the notion of witchcraft practised especially by female witches. The scope of the research is limited to two films; however, the possibility to expand the research in the future and include newer films exists. Comparative methods and analysis are used throughout the paper. The paper is structured according to the analysed themes found in both films – Carrie (dir. Kimberly Peirce, 2013) and Thelma (dir. Joachim Trier, 2017). The author claims that these themes are similar and rooted in the same perception of the female monstrosity in both films, with different outcomes of this combination. The authors suggest that this is due to feminist tendencies becoming more prominent in every artform. However, this claim needs investigating from the feminist studies’ point of view.
Bibliografia
Bailey M.D., Historical Dictionary of Witchcraft, Lanham 2003
Creed B., The monstrous-feminine: Film, feminism, psychoanalysis, New York 2007 [1993]
Harris V., Witches on Surfboards: How Witch Media Has Ridden the Waves of Feminism, “Cardinal Compositions” 2020, vol. 4, pp. 39–43
Hester M., Lewd women and wicked witches. A study of the dynamics of male domination, London 2003 [1992] DOI: https://doi.org/10.4324/9780203409275
Kgatla T.S., Addicts of Gender-Based Violence: Patriarchy as the Seed-bed of Gendered WitchcraftAccusations, “Studia Historiae Ecclesiasticae” 2020, no. 46(3), pp. 1–18 DOI: https://doi.org/10.25159/2412-4265/7729
Küng H., Women in Christianity, London 2005 [2001] Lynse A., Manifestations of dread in Thelma, “Journal of Scandinavian Cinema” 2019, no. 9(2), pp. 235–239 DOI: https://doi.org/10.1386/jsca.9.2.235_1
Negrea C., Representations of Witches in the Coming‐of‐age Subgenre, “Studia Ubb Dramatica” 2020, no. 65(1), pp. 277–290 DOI: https://doi.org/10.24193/subbdrama.2020.1.14
Licencja
Prawa autorskie (c) 2023 Barbora Vinczeová
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Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa 4.0 Międzynarodowe.