No. 29 (2018)

No. 29 (2018)

Published 2019 January 31
2-6
Contents
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Editorial

Anna Krajewska
7-11
A different theory
https://doi.org/10.14746/pt.2018.29.0
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Dissertations

Magdalena Popiel
15-29
Rodin, or the world. Two cosmogonies – Rainer Maria Rilke and Georg Simmel
https://doi.org/10.14746/pt.2018.29.1
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Anna Krajewska
31-51
The performative humanities.
https://doi.org/10.14746/pt.2018.29.2
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Piotr Bogalecki
87-125
From the spirit of music? Fourteen variations on Miasto: partytura and other „supra-verbal poems” by Marian Grześczak
https://doi.org/10.14746/pt.2018.29.3
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Małgorzata Kafel
127-151
Jazz as a model for literary work. Julio Cortázar’s “Jazz Literary Theory” (Hopscotch)
https://doi.org/10.14746/pt.2018.29.4
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Rozalia Słodczyk
153-178
The non-transparency of ekphrasis: representation, mediation and translation in description of artefacts
https://doi.org/10.14746/pt.2018.29.5
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Mateusz Kłosowski
179-213
Afterimages of verse. An experiment in reading Bolesław Leśmian’s poetry
https://doi.org/10.14746/pt.2018.29.6
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Teresa Fazan
215–234
The phenomenological and performative aspects of modern and postmodern dance
https://doi.org/10.14746/pt.2018.29.7
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Joanna Szkudlarek
235–249
The language of psychosis: Dadaism and psychoanalytic theory of Wilfred Ruprecht Bion
https://doi.org/10.14746/pt.2018.29.8
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Stanisław Bitka
251–260
Sound and meaning in Dead Man by Jim Jarmusch
https://doi.org/10.14746/pt.2018.29.9
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Agnieszka Urbańczyk
261–275
Subversion, not art. The roots, founding concepts, and problems of Fan Studies
https://doi.org/10.14746/pt.2018.29.10
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Iwona Kaproń-Charzyńska, Joanna Kamper-Warejko
277–313
From fans for fans. Series commentaries as a new communication phenomenon
https://doi.org/10.14746/pt.2018.29.11
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Andrzej Zawadzki
315–328
Sculptor and philosopher. Constantin Brâncuşi in Constantin Noica’s interpretations
https://doi.org/10.14746/pt.2018.29.12
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Translations

Constantin Noica
331–334
Becoming into being
https://doi.org/10.14746/pt.2018.29.13
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Constantin Noica
335–340
Essay on Constantin Brâncuşi’s “The Wisdom of the Earth”
https://doi.org/10.14746/pt.2018.29.14
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Presentations

Marek Hendrykowski
343–356
From the history of Polish performance. Happening, performance, intermediality
https://doi.org/10.14746/pt.2018.29.15
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Interpretations

Krzysztof Tyczko
303-313
Utrata Władimira Makanina – ku hermeneutycznemu radykalizmowi
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Reviews

Jakub Walczak
359–364
Once again about literature and music
https://doi.org/10.14746/pt.2018.29.16
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Jakub Momro
365–379
Egression from the lab
https://doi.org/10.14746/pt.2018.29.17
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Reminiscences

. .
381-382
Profesor Stanisław Jaworski (1934–2018)
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Anna Burzyńska
383–386
In Memory of Professor Stanisław Jaworski
https://doi.org/10.14746/pt.2018.29.18
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Wojciech Ligęza
387–397
An inimitable experience of the world (On Stanisław Jaworski – a variety of recollections and readings)
https://doi.org/10.14746/pt.2018.29.19
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Anna Krajewska
399-402
Books on the desk… not on the shelf…
https://doi.org/10.14746/pt.2018.29.20
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Note about the authors

403-406
About the authors
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