Vol. 8 No. 2 (2020)

Published 2020 December 31

Introduction

JAROSŁAW POLISZCZUK, ANNA HORNIATKO-SZUMIŁOWICZ

5-7

DO CZYTELNIKÓW CZASOPISMA „STUDIA UKRAINICA POSNANIENSIA”

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Ярослав Поліщук

9-11

ДО ЧИТАЧІВ ЧАСОПИСУ „STUDIA UKRAINICA POSNANIENSIA”

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Jarosław Poliszczuk, Anna Horniatko-Szumiłowicz

13-15

TO THE READERS OF “STUDIA UKRAINICA POSNANIENSIA”

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Linguistic studies

СВІТЛАНА БОГДАН, ТЕТЯНА ТАРАСЮК

VOLYN IN THE SYSTEM OF ETHNIC AUTOSTEREOTYPES IN LESIA UKRAINKA’S EPISTOLARY TEXTS

https://doi.org/10.14746/sup.2020.8.2.01

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ВАЛЕНТИНА КАЛЬКО

33-44

UKRAINIAN PROVERBS AS SPEECH ACTS

https://doi.org/10.14746/sup.2020.8.2.02

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ЛАРИСА МІНІЧ

45-55

OCCASIONALISM AS THE BASIS OF THE SYNERGETICS OF THE IDIOSTYLE OF MYKOLA VINGRANOVSKYI

https://doi.org/10.14746/sup.2020.8.2.03

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Ірина Рабчук

57-69

APPOSITIVE SYNTAXEME AS AN EXPRESSION OF TROPICAL MEANINGS IN BELLES-LETTERS TEXT

https://doi.org/10.14746/sup.2020.8.2.04

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ХРИСТИНА КАРПОВЕЦЬ

SPELLING COMPETENCE AS AN ELEMENT OF PROFESSIOGRAM OF A LECTURER IN THE FIELD OF LINGUISTIC STUDIES

https://doi.org/10.14746/sup.2020.8.2.05

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Literature studies

Ірина Борисюк

83-96

THE SELF / THE STRANGER: THE PROBLEM OF IDENTITY OUTLINING IN THE PROSE OF NATALIA KOBRYNSKA

https://doi.org/10.14746/sup.2020.8.2.06

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ХРИСТИНА СЕМЕРИН

97-105

GENDER DIMENSIONS OF THE JEWISH THEME IN LESIA UKRAINKA’S POETRY

https://doi.org/10.14746/sup.2020.8.2.07

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УЛЯНА ФЕДОРІВ

107-117

REPRESENTATION OF THE HERO-WARRIORʼS IMAGE IN UKRAINIAN SOCIALIST REALISM LITERATURE

https://doi.org/10.14746/sup.2020.8.2.08

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Albert Nowacki

119-130

CONTENT VERSUS FORM. FROM THE CONSIDERATIONS ON THE NATURE OF THE LITERARY TEXT IN THE LIGHT OF THE UKRAINIAN LITERARY MANIFESTOES OF THE 1920S: --

https://doi.org/10.14746/sup.2020.8.2.09

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ОКСАНА ПУХОНСЬКА

131-140

TOTALITARIANISM AND LITERATURE: FROM INTERACTION TO DETECTION

https://doi.org/10.14746/sup.2020.8.2.10

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Фелікс Штейнбук

141-149

ARCHETYPE SUBSTRATUM AND POETICS OF REPETITION IN OLES ULIANENKO’S ZYMOVA POVIST

https://doi.org/10.14746/sup.2020.8.2.11

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Przemysław Lis-Markiewicz

151-162

THE DEVELOPMENT OF THE UKRAINIAN HORROR FICTION ON THE BACKGROUND OF EUROPEAN GOTHIC TRADITIONS: A BRIEF OVERVIEW

https://doi.org/10.14746/sup.2020.8.2.12

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Олеся Нахлік

163-175

UKRAINIAN RECEPTION OF POLISH NEW JOURNALISM: POST-SOVIET RELAPSES AND POSTCOLONIAL ABYSS SYNDROME : (on the example of J. Hugo-Bader’s White Fever)

https://doi.org/10.14746/sup.2020.8.2.13

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Ryszard Kupidura

177-186

BETWEEN GONZO AND HISTORICAL DOCUMENT. ABOUT THE GENRE STATUS OF ANDRIY SOVA’S REPORTAGE ZVIT ZA SERPEN ‘14

https://doi.org/10.14746/sup.2020.8.2.14

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ANDRIEJ MOSKWIN

187-201

CONTEMPORARY UKRAINIAN DRAMA ABOUT THE WAR: NATALIA VOROZHBIT’S PLAY BAD ROADS

https://doi.org/10.14746/sup.2020.8.2.15

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ТЕТЯНА ГРЕБЕНЮК

203-213

THE NOVEL BY TAMARA HORIHA ZERNIA DOTSYA: STRATEGIES OF CREATING THE EFFECT OF COOPERATION

https://doi.org/10.14746/sup.2020.8.2.16

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