Vol. 37 No. 46 (2024): Censorship in Film and Audio-Visual Media

Vol. 37 No. 46 (2024)

Published 2024 December 23
Censorship in Film and Audio-Visual Media

EDITOR-IN-CHIEF:
prof. UAM dr hab. Andrzej Szpulak; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań

GUEST EDITORS:
prof. UŁ dr hab. Konrad Klejsa; Department of Film and Audio-Visual Media, University of Lodz
mgr Klaudia Srul; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań

Full Issue
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Censorship and the Cinema in Major Film Production Countries

Milan Hain
7-24
Morality Behind Bars: Regulating Prison Films in Postwar Hollywood
https://doi.org/10.14746/i.2024.37.46.1
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Francesco Di Chiara, Paolo Noto
25-42
Practices of Co-censorship: The Bilateral Control of Italian-Yugoslavian Co-productions
https://doi.org/10.14746/i.2024.37.46.2
PDF
Arkadiusz Lewicki
43-53
The Rating System as Part of the American Film Industry (1970–2019)
https://doi.org/10.14746/i.2024.37.46.3
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Siu Heng
55-68
Hong Kong’s Tightened Film Censorship and Its Implication on Hong Kong Cinema
https://doi.org/10.14746/i.2024.37.46.4
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Film Policies / Cultural Representations

Konrad Klejsa, Michał Piepiórka
71-92
Oranges on the Telly: Films and Series in the Christmas Programming of Polish Socialist Television
https://doi.org/10.14746/i.2024.37.46.5
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Olena Rosinska
93-107
Sex, Drugs, and Suicide in Youth-oriented TV Series of Different Countries: Controversial Content and the Level of Acceptability for a Sensitive Audience
https://doi.org/10.14746/i.2024.37.46.6
PDF
Karina Aveyard
109-124
Censorship, Speakability and Contemporary Green Fiction Cinema
https://doi.org/10.14746/i.2024.37.46.7
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Kris Van Heuckelom
125-149
Into the Writers’ Room: Looking at Polish Characters in Contemporary Dutch-Language Audiovisual Fiction Through the Lens of Production Research
https://doi.org/10.14746/i.2024.37.46.8
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Polityka / Reprezentacje. Kino zagraniczne

Krzysztof Kozłowski
153-169
“Forth, send I thee, my valiant beloved...” On Karl Ritter’s Stukas
https://doi.org/10.14746/i.2024.37.46.9
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Dawid Głownia
171-184
Transformations of Film Censorship in Japan until the End of World War II
https://doi.org/10.14746/i.2024.37.46.10
PDF (Język Polski)
Karol Jóźwiak
185-199
The Philosovietic Mode of Film Censorship in Cold-War Italy – Context and Case Studies
https://doi.org/10.14746/i.2024.37.46.11
PDF (Język Polski)
Joanna Aleksandrowicz
201-217
Between Mutilation and Author’s Strategy: The Influence of Censorship in Luis García Berlanga’s Works
https://doi.org/10.14746/i.2024.37.46.12
PDF (Język Polski)

Cenzura w polskim filmie kinowym i telewizyjnym lat transformacji

Michał Piepiórka
221-243
Counting Zlotys: Polish Fantasy-Adventure Films of the 1980s in the Light of Evaluation Committee Reports
https://doi.org/10.14746/i.2024.37.46.13
PDF (Język Polski)
Piotr Śmiałowski
245-259
Various manifestations of censorship against Jan Lomnicki’s series Home
https://doi.org/10.14746/i.2024.37.46.14
PDF (Język Polski)
Emil Sowiński
261–279
Under Collapsing Supervision: Censorship of Polish Films 1986–1989
https://doi.org/10.14746/i.2024.37.46.15
PDF (Język Polski)
Anna Krakowiak
281–294
The Threefold “Shelving” of the Third Polish Republic: On Contemporary Censorship with the Example of Henryk Dederko’s film Welcome to Life
https://doi.org/10.14746/i.2024.37.46.16
PDF (Język Polski)

Author Gallery

Bartłomiej Talaga
296-315
Walk_in Synchronicity
PDF (Język Polski)

Notes about authors

Redakcja Images
415-424
Notes about authors
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Varia

Klaudia Srul
319–333
“Because She Got to Escape” – The Road to Josephine’s Emancipation in the Comic Book Fatale by Ed Brubaker and Sean Phillips
https://doi.org/10.14746/i.2024.37.46.17
PDF (Język Polski)
Marta Cebera
334–348
The Position of the Actor in the Face of the Development of Streaming Platforms
https://doi.org/10.14746/i.2024.37.46.18
PDF (Język Polski)
Oleh Dzholos
349–359
UATV: Ukraine’s Voice on the Information Battlefield
https://doi.org/10.14746/i.2024.37.46.19
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Natasza Ziółkowska-Kurczuk
360–370
The Urban Landscape in the Narratives of Documentary Films About Lublin
https://doi.org/10.14746/i.2024.37.46.20
PDF (Język Polski)
Zuzanna Karpińska
371–379
Andrey Zvyagintsev’s Film The Return (2003) as an Initiation Film
https://doi.org/10.14746/i.2024.37.46.21
PDF (Język Polski)
Joanna Witczak
380–392
The Translator’s Freedom in the Process of Video Game Localization – the Example of Final Fantasy XV
https://doi.org/10.14746/i.2024.37.46.22
PDF (Język Polski)
Media Haqshenas
393–404
Cinematic Virtual Reality: The Paradox of the Omniscient Viewer in Omnidirectional Space versus Artistic Authorial Control
https://doi.org/10.14746/i.2024.37.46.23
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Marek Hendrykowski
405–414
Plagiarism in the Age of Artificial Intelligence
https://doi.org/10.14746/i.2024.37.46.24
PDF (Język Polski)

Reviewers in 2024

Redakcja Images
425-426
Reviewers in 2024
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