No. 36 (2021)

No. 36 (2021)

Published 2021 December 15
1-7
Spis treści
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Editorial

Anna Krajewska
7-13
Dramaturgy of concepts
https://doi.org/10.14746/pt.2021.36.0
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Dissertations

Dariusz Kosiński
17-32
Drama, dramaturgy, dramatology – retroperspectives
https://doi.org/10.14746/pt.2021.36.1
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Piotr Dobrowolski
33-55
Dramatization of tradition. Dramatic confrontations with the literary canon
https://doi.org/10.14746/pt.2021.36.2
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Aleksandra Kosicka-Pajewska
57-71
The dramatic colors of history
https://doi.org/10.14746/pt.2021.36.3
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Ewa Wąchocka
73-91
Musical Dramaturgy
https://doi.org/10.14746/pt.2021.36.4
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Irena Górska
93-107
The dramaturgy of photography. Between theory and personal experience (the case of Roland Barthes)
https://doi.org/10.14746/pt.2021.36.5
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Jakub Kłeczek
109-125
New media dramaturgy and postdigital performance. User experience design of contemporary performing arts
https://doi.org/10.14746/pt.2021.36.6
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Daniel Banasiak
127-135
Contact between dramaturgy and poetry: about the poetics of Ry Nikonova
https://doi.org/10.14746/pt.%202021.36.7
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Wojciech Baluch
137-152
Why a playwright needs a performative actor?
https://doi.org/10.14746/pt.2021.36.8
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Katarzyna Woźniak
153-162
Towards the Theater of Agon. Pippo Delbono’s Cavalleria rusticana at San Carlo Theater
https://doi.org/10.14746/pt.2021.36.9
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Beata Popczyk-Szczęsna
163-175
Dramaturgy of co-creating meanings of the stage statement. Aside reading Paweł Demirski’s Texts for the (Stary) Theatre
https://doi.org/10.14746/pt.2021.36.10
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Grzegorz Ziółkowski
177-198
Cultivating the Art of Dying: Margaret Edson’s W;t Between Page and Screen
https://doi.org/10.14746/pt.2021.36.11
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Jan Biedny
199-217
The experiencing of cinema and dramaturgy of cinematic neomodernism
https://doi.org/10.14746/pt.2021.36.12
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Adrianna Woroch
219-228
A somatic-dramaturgic experiment. Haptic visuality and self-reflexive dramaturgy in Darren Aronofsky’s Black Swan
https://doi.org/10.14746/pt.2021.36.13
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Monika Błaszczak
227-253
Rough and harsh touch – on the dramaturgy of the the senses
https://doi.org/10.14746/pt.2021.36.14
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Inga Mizdrak
257-271
Facial epiphany or mask illusion? About the struggle of man in terms of the Józef Tischner’s philosophy of drama
https://doi.org/10.14746/pt.2021.36.15
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Halina Monika Wróblewska
273-290
Drama. Creation. Transgression. Spaces of intersubjective experiences in a masterful discourse
https://doi.org/10.14746/pt.2021.36.16
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Olena Haleta
291-309
Joanna the Wife of Chuza by Lesya Ukrainka as a New Model of Communication in Modern Ukrainian Literature
https://doi.org/10.14746/pt.2021.36.17
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