Vol. 10 No. 19 (2012): Microcosm

Vol. 10 No. 19 (2012)

Published 2015 December 4
Microcosm

EDITOR-IN-CHIEF:
prof. dr hab. Marek Hendrykowski; Department of Film, Television and New Media, Adam Mickiewicz University, Poznań

GUEST EDITORS:
prof. UAM dr hab. Wojciech Otto; Department of Film, Television and New Media, Adam Mickiewicz University, Poznań
prof. UAM dr hab. Andrzej Szpulak; Department of Film, Television and New Media, Adam Mickiewicz University, Poznań

Journal cover Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, volume 10, no. 19, year 2012
Marek Hendrykowski
5-14
The Secret of Correspondence. On Maciej J. Drygas’s Documentary Film „Someone’s else letters” (2010)
https://doi.org/10.14746/i.2012.19.01
PDF (Język Polski)
Justyna Bucknall-Hołyńska
15-22
A Study of the Film Adaptations of Marek Hłasko's Prose by the Students of the Film School in Łódź
https://doi.org/10.14746/i.2012.19.02
PDF
Anna Śliwińska
23-31
England in a Miniature in Mike Leigh's "The Short and Curlies"
https://doi.org/10.14746/i.2012.19.03
PDF (Język Polski)
Anna Igielska
33-42
„The End” and a Project of Happy End. On the Function of Song in F.F. Coppola’s „Apocalypse Now”
https://doi.org/10.14746/i.2012.19.04
PDF (Język Polski)
Marek Kaźmierczak
43-56
Small Forms, Big Problems. Deontology and Commonness in the Audiovisual Texts Presented on the YouTube
https://doi.org/10.14746/i.2012.19.05
PDF (Język Polski)
Justyna Czaja
57-65
Looking Throught Fragments. Aleksandar Zograf's comics diary “Regards From Serbia”
https://doi.org/10.14746/i.2012.19.06
PDF (Język Polski)
Konstanty Szydłowski
67-80
The model as a starting point for a small form in video-art
https://doi.org/10.14746/i.2012.19.07
PDF (Język Polski)
Andrzej Szpulak
81-87
Edward Żebrowski’s “Evening” – the Creative Copy
https://doi.org/10.14746/i.2012.19.08
PDF (Język Polski)
Marek Hendrykowski
89-93
Janusz Morgenstern’s „Radishes”
https://doi.org/10.14746/i.2012.19.09
PDF (Język Polski)
Piotr Pomostowski
95-103
The Jazziness of a Film – the Filmicness of Jazz. About the Music of Krzysztof Komeda in the Short Films of Roman Polański
https://doi.org/10.14746/i.2012.19.10
PDF (Język Polski)
Piotr Prusinowski
105-109
Automatism of Human Existence in Jan Lenica's and Walerian Borowczyk's “House”
https://doi.org/10.14746/i.2012.19.11
PDF (Język Polski)

Filmmaker workshop

Jan Jakub Kolski
113-120
Little tiny analysis. Etudes in The Polish National Film, Television and Theatre School
https://doi.org/10.14746/i.2012.19.12
PDF (Język Polski)

Student films

Alina Grzegorzewska
123-126
Like Us
https://doi.org/10.14746/i.2012.19.13
PDF (Język Polski)
Patrycja Rojek
127-130
Choices that weren't
https://doi.org/10.14746/i.2012.19.14
PDF (Język Polski)
Zuzanna Witulska
131-135
Young filmmakers, young characters
https://doi.org/10.14746/i.2012.19.15
PDF (Język Polski)
Szymon Baranowski
137-140
Three times about coming up with a life
https://doi.org/10.14746/i.2012.19.16
PDF (Język Polski)

Author Gallery

Aleksandra Gach, Igor Smirnow, Anna Zarychta
141-154
Aleksandra Gach and Igor Smirnow (Anna M. Zarychta) - Author Gallery
https://doi.org/10.14746/i.2012.19.17
PDF (Język Polski)

Varia

Zbigniew Kloch
154-162
"Dr House" - game and semiology
https://doi.org/10.14746/i.2012.19.18
PDF (Język Polski)
Piotr Pławuszewski
174-177
A Tale of a Director Who Wants to Be Directed
https://doi.org/10.14746/i.2012.19.19
PDF (Język Polski)