Vol. 10 No. 19 (2012): Microcosm
Microcosm
Marek Hendrykowski
5-14
The Secret of Correspondence. On Maciej J. Drygas’s Documentary Film „Someone’s else letters” (2010)
https://doi.org/10.14746/i.2012.19.01
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Justyna Bucknall-Hołyńska
15-22
A Study of the Film Adaptations of Marek Hłasko's Prose by the Students of the Film School in Łódź
https://doi.org/10.14746/i.2012.19.02
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Anna Śliwińska
23-31
England in a Miniature in Mike Leigh's "The Short and Curlies"
https://doi.org/10.14746/i.2012.19.03
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Anna Igielska
33-42
„The End” and a Project of Happy End. On the Function of Song in F.F. Coppola’s „Apocalypse Now”
https://doi.org/10.14746/i.2012.19.04
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Marek Kaźmierczak
43-56
Small Forms, Big Problems. Deontology and Commonness in the Audiovisual Texts Presented on the YouTube
https://doi.org/10.14746/i.2012.19.05
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Justyna Czaja
57-65
Looking Throught Fragments. Aleksandar Zograf's comics diary “Regards From Serbia”
https://doi.org/10.14746/i.2012.19.06
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Konstanty Szydłowski
67-80
The model as a starting point for a small form in video-art
https://doi.org/10.14746/i.2012.19.07
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Andrzej Szpulak
81-87
Edward Żebrowski’s “Evening” – the Creative Copy
https://doi.org/10.14746/i.2012.19.08
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Marek Hendrykowski
89-93
Janusz Morgenstern’s „Radishes”
https://doi.org/10.14746/i.2012.19.09
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Piotr Pomostowski
95-103
The Jazziness of a Film – the Filmicness of Jazz. About the Music of Krzysztof Komeda in the Short Films of Roman Polański
https://doi.org/10.14746/i.2012.19.10
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Piotr Prusinowski
105-109
Automatism of Human Existence in Jan Lenica's and Walerian Borowczyk's “House”
https://doi.org/10.14746/i.2012.19.11
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