Vol. 31 No. 40 (2022): The Special Issue: Waste in Films - Waste after Films

Vol. 31 No. 40 (2022)

Published 2023 January 17
The Special Issue: Waste in Films - Waste after Films
Full Issue
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Introduction

Pietari Kääpä, Marek Kaźmierczak
5-10
Introduction. Waste in Films – Waste after Films: Before the War
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Waste in Films – Waste after Films

Piotr Zawojski
13-36
The Invisible World of Images. From “Nonhuman” to “Undigital” Photography in Joanna Zylinska’s Reflections
https://doi.org/10.14746/i.2022.40.01
PDF
Anna Mrozewicz
37-59
Rendering slow ecological crisis in a popular medium: Hyperobjects and Sámi resistance in the Swedish-French TV series Midnight Sun
https://doi.org/10.14746/i.2022.40.02
PDF
Adam Domalewski
61-69
‘You’re ignoring the truth’ – Fatih Akın’s Polluting Paradise (2012) and Eco-Trauma Cinema
https://doi.org/10.14746/i.2022.40.03
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Grażyna Gajewska
71-90
Wasted lives and expulsions. A study of Beasts of the Southern Wild by Benh Zeitlin
https://doi.org/10.14746/i.2022.40.04
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Eco-essays

Marek Hendrykowski
93-109
Cinematography in the rubbish bin
https://doi.org/10.14746/i.2022.40.05
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Patrycja Chuszcz
111-125
The dynamics of educational and activities run by activists from the Otwarte Klatki (Open Cages) Association and its film production system
https://doi.org/10.14746/i.2022.40.06
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Małgorzata Hendrykowska
127-135
About antique markets, ecology and the attitude towards “old” objects
https://doi.org/10.14746/i.2022.40.07
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Karol Zaborowski
137-145
The post-apocalyptic roles of people and plants in the game Cloud Gardens. What is a garden?
https://doi.org/10.14746/i.2022.40.08
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Varia

Georgios Karakasis, Jonathan Lavilla de Lera
149-160
Fight for Nothing: Fight Club and Nihilism in Capitalist Society
https://doi.org/10.14746/i.2022.40.09
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Kamil Kalbarczyk
161-176
The Atelier or There and Back Again. The Evolution of Studio Filmmaking from Silent Film to the Digital Era
https://doi.org/10.14746/i.2022.40.10
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Kamil Lipiński
177-186
Echo of everyday life or “wu-es-be” in experimental animation
https://doi.org/10.14746/i.2022.40.11
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Anna Miller-Klejsa
187-199
Vittorio De Sica’s Miracle in Milan against the background of the reception of Italian neorealism in Polish film magazines published until 1956
https://doi.org/10.14746/i.2022.40.12
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Małgorzata Nowińska
200-211
“Look, here is a Polish film production”. Pre-war Polish musical comedy as a musical
https://doi.org/10.14746/i.2022.40.13
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Mateusz Drewniak
212-224
Audio-visual archives of Polish Public Television and TV shows devoted to film and cinema production (1989–2020)
https://doi.org/10.14746/i.2022.40.14
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Author Gallery

Weronika Andrzejewska
225-240
Weronika Andrzejewska
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Notes about authors

Redakcja Images
241-247
Notes about authors
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