Vol. 31 No. 40 (2022): The Special Issue: Waste in Films - Waste after Films

Vol. 31 No. 40 (2022)

Published 2023 January 17
The Special Issue: Waste in Films - Waste after Films

EDITOR-IN-CHIEF:
prof. UAM dr hab. Andrzej Szpulak; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań

GUEST EDITORS:
prof. Pietari Kääpä; Centre of Cultural and Media Policy Studies, University of Warwick, Coventry
prof. UAM dr hab. Marek Kaźmierczak; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań

Full Issue
PDF (Język Polski)
Journal cover Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, volume 31, no. 40, year 2022, title The Special Issue: Waste in Films - Waste after Films

Introduction

Pietari Kääpä, Marek Kaźmierczak
5-10
Introduction. Waste in Films – Waste after Films: Before the War
PDF

Waste in Films – Waste after Films

Piotr Zawojski
13-36
The Invisible World of Images. From “Nonhuman” to “Undigital” Photography in Joanna Zylinska’s Reflections
https://doi.org/10.14746/i.2022.40.01
PDF
Anna Mrozewicz
37-59
Rendering slow ecological crisis in a popular medium: Hyperobjects and Sámi resistance in the Swedish-French TV series Midnight Sun
https://doi.org/10.14746/i.2022.40.02
PDF
Adam Domalewski
61-69
‘You’re ignoring the truth’ – Fatih Akın’s Polluting Paradise (2012) and Eco-Trauma Cinema
https://doi.org/10.14746/i.2022.40.03
PDF
Grażyna Gajewska
71-90
Wasted lives and expulsions. A study of Beasts of the Southern Wild by Benh Zeitlin
https://doi.org/10.14746/i.2022.40.04
PDF

Eco-essays

Marek Hendrykowski
93-109
Cinematography in the rubbish bin
https://doi.org/10.14746/i.2022.40.05
PDF (Język Polski)
Patrycja Chuszcz
111-125
The dynamics of educational and activities run by activists from the Otwarte Klatki (Open Cages) Association and its film production system
https://doi.org/10.14746/i.2022.40.06
PDF (Język Polski)
Małgorzata Hendrykowska
127-135
About antique markets, ecology and the attitude towards “old” objects
https://doi.org/10.14746/i.2022.40.07
PDF (Język Polski)
Karol Zaborowski
137-145
The post-apocalyptic roles of people and plants in the game Cloud Gardens. What is a garden?
https://doi.org/10.14746/i.2022.40.08
PDF (Język Polski)

Varia

Georgios Karakasis, Jonathan Lavilla de Lera
149-160
Fight for Nothing: Fight Club and Nihilism in Capitalist Society
https://doi.org/10.14746/i.2022.40.09
PDF
Kamil Kalbarczyk
161-176
The Atelier or There and Back Again. The Evolution of Studio Filmmaking from Silent Film to the Digital Era
https://doi.org/10.14746/i.2022.40.10
PDF (Język Polski)
Kamil Lipiński
177-186
Echo of everyday life or “wu-es-be” in experimental animation
https://doi.org/10.14746/i.2022.40.11
PDF
Anna Miller-Klejsa
187-199
Vittorio De Sica’s Miracle in Milan against the background of the reception of Italian neorealism in Polish film magazines published until 1956
https://doi.org/10.14746/i.2022.40.12
PDF (Język Polski)
Małgorzata Nowińska
200-211
“Look, here is a Polish film production”. Pre-war Polish musical comedy as a musical
https://doi.org/10.14746/i.2022.40.13
PDF (Język Polski)
Mateusz Drewniak
212-224
Audio-visual archives of Polish Public Television and TV shows devoted to film and cinema production (1989–2020)
https://doi.org/10.14746/i.2022.40.14
PDF (Język Polski)

Author Gallery

Weronika Andrzejewska
225-240
Weronika Andrzejewska
PDF (Język Polski)

Notes about authors

Redakcja Images
241-247
Notes about authors
PDF (Język Polski) PDF