Vol. 33 No. 42 (2023)

Published 2023 July 3

The Special Issue: Rules of games

EDITOR-IN-CHIEF:
prof. UAM dr hab. Andrzej Szpulak; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań

GUEST EDITORS:
Joanna Pigulak, PhD; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań
Marcin Pigulak, PhD; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań
Karol Zaborowski, M.A.; Doctoral School of Languages and Literatures, Adam Mickiewicz University, Poznań

Full Issue

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Rules of games

Marek Kaźmierczak, Joanna Pigulak

5-6

Avant-garde. Introduction to the volume

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Perspektywy teoretyczne

Agnieszka Kula, Krzysztof Skibski

9-24

Play it again – redundancy, literature and language games

https://doi.org/10.14746/i.2023.33.42.1

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Miłosz Babecki

25-47

Deep distraction as a semiotic principle in socially engaged browser games with political themes

https://doi.org/10.14746/i.2023.33.42.2

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Augustyn Surdyk

49-69

Ludology – academic games research. Past, present, future

https://doi.org/10.14746/i.2023.33.42.3

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Mikołaj Ołownia

71-84

Literature in video games. Initial discernment

https://doi.org/10.14746/i.2023.33.42.4

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Gameplay i jego zasady

Rafał Kochanowicz

87-102

Gameplay transgressions in digital games

https://doi.org/10.14746/i.2023.33.42.5

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Marcin M. Chojnacki

103-114

Gamer-tourist. Video game guides and shaping of user experience

https://doi.org/10.14746/i.2023.33.42.6

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Miłosz Markocki

115-124

Total conversion mods: expanding beyond the original game

https://doi.org/10.14746/i.2023.33.42.7

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Dominika Staszenko-Chojnacka

125-138

Postclassic horror. Transformations of survival horror genre fusion

https://doi.org/10.14746/i.2023.33.42.8

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Krzysztof Czyżak

139-149

The theme of time travel in digital games – basic types of mechanics

https://doi.org/10.14746/i.2023.33.42.9

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Praktyki kultur cyfrowych

Marcin Pigulak

153-161

The Polish demoscene – between the past and the future. Conversation with Łukasz Szałankiewicz

https://doi.org/10.14746/i.2023.33.42.10

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Szymon Makuch

163-173

The role of legal regulations in shaping the content of games and mechanisms of their promotion on the example of selected issues of consumer protection

https://doi.org/10.14746/i.2023.33.42.11

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Mirosław Wobalis

175-188

Mechanisms of managing emotions in video games

https://doi.org/10.14746/i.2023.33.42.12

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Joanna Pigulak

189-216

Grophilia. A discussion of the phenomenon using the example of selected Netflix series

https://doi.org/10.14746/i.2023.33.42.13

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Mateusz Felczak

217-228

Electronic sport and its media interfaces

https://doi.org/10.14746/i.2023.33.42.14

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Case studies

Krzysztof M. Maj

231-250

Open World and Disperesed Narrative in FromSoftware’s Elden Ring

https://doi.org/10.14746/i.2023.33.42.15

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Karol Zaborowski

251-266

„Our paths will become roads”: Ecological reflections on Hideo Kojima’s Death Stranding

https://doi.org/10.14746/i.2023.33.42.16

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Katarzyna Marak, Nelly Strehlau

267-279

Choices, affects and trans representation: An analysis of mechanics and gameplay in Tell Me Why

https://doi.org/10.14746/i.2023.33.42.17

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Ewelina Repeć

281-306

Queering AAA games on the example of the Assassin’s Creed series – opportunities and threats

https://doi.org/10.14746/i.2023.33.42.18

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Magdalena Bednorz

307-325

Emotional effort as the basic principle of (courtly) love. Romance with Anomen in Baldur’s Gate II

https://doi.org/10.14746/i.2023.33.42.19

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Mikołaj Bajew

327-347

Sound quality as a coherence-creating factor in a video game series (the example of the Assassin’s Creed series)

https://doi.org/10.14746/i.2023.33.42.20

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Author Gallery

Michał Mróz

349-362

The Elder Scrolls V: Skyrim

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Notes about authors

Redakcja Images

363-371

Notes about authors

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