No. 42 (2022)

Published 2023 August 1

Full Issue

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Beate Sommerfeld

5-8

Ästhetiken des Posthumanen in Literatur und Medien

https://doi.org/10.14746/sgp.2022.42.01

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Artykuły naukowe

Hans-Joachim Schott

9-26

The involution of transformation. Posthumanistic thoughts in Elias Canetti's "Crowds and power"

https://doi.org/10.14746/sgp.2022.42.02

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Moritz Hiller

27-52

Flussers's Posthumanism. A writing scene of the 20th century

https://doi.org/10.14746/sgp.2022.42.03

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Alena Heinritz

53-65

Disruptive Innovation or Design? Posthumanist Perspectives on Prometheus in Discourses of Literature, Labour and Agency

https://doi.org/10.14746/sgp.2022.42.04

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Ines Gries

67-86

Goethes's "Märchen" and Essays on "Spiral Tendency" - a Posthumanist Reading

https://doi.org/10.14746/sgp.2022.42.05

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Bart Philipsen

87-102

"The limping angel". Figures and Perspectives of the Posthuman in Hans Magnus Enzensberger's more recent and recent poetry

https://doi.org/10.14746/sgp.2022.42.06

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Mira Shah

103-124

Thinking with mushrooms: Fungal Posthumanist Aesthetics in Theory, Art, Literature and Film

https://doi.org/10.14746/sgp.2022.42.07

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Burrhus Njanjo, Klaus Tezokeng

125-141

Border Negotiations. Narratives of the Posthuman in "Ruf der Tiefe" by Katja Brandis and Hans-Peter Ziemek

https://doi.org/10.14746/sgp.2022.42.08

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Hanne Janssens

143-159

Dirt and people. The Human Subject and its waste as a part od networks of distributed agents in Christoph Ransmayr's "Morris Kithara" and Karen Duve's "Regenroman"

https://doi.org/10.14746/sgp.2022.42.09

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Karina Rocktäschel

161-177

On the Question of the Human in Contemporary Theatre - A Diffractive Reading of "Still Life. A Chorus for animals, people and all other lives" (Marta Górnicka, 2021) and "Die Kränkungen der Menschheit" (Anta Helena Recke, 2019)

https://doi.org/10.14746/sgp.2022.42.10

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Marco Innocenti

179-192

The Pink Arche. The First Principle of the Posthuman Reality in the Anthropocene and SUPERFLEX’s "Pink Elements" as a Possible Representation of it

https://doi.org/10.14746/sgp.2022.42.11

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Katherine Pollock

193-208

Matter’s Performance in Christoph Schlingensief’s “Animatographische Editionen”

https://doi.org/10.14746/sgp.2022.42.12

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Qingyu Cai

209-220

Seeing and being seen. Human-animal relations between reality and illusion in David Wiesner's picture book "Flotsam"

https://doi.org/10.14746/sgp.2022.42.13

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Melanie Stralla, Ben Sulzbacher

221-234

An investigation without a pug is possible, but pointless. Human-Animal-Relations as sources od uncertainty and deconventionalization in Crime Fiction

https://doi.org/10.14746/sgp.2022.42.14

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Marlis Heyer

235-251

Diverse Accomplices - Posthuman "Partners in Crime" with Olga Tokarczuk and Saša Stanišić

https://doi.org/10.14746/sgp.2022.42.15

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Shiqi Yu

253-267

„More human than human?“A comparative analysis of the Cyborg Figure and Body-Soul Dichotomy in „Blade Runner (1982)“ und ”Blade Runner 2049 (2017)”

https://doi.org/10.14746/sgp.2022.42.16

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Emanuela Ferragamo

269-283

An Aesthetics of Weather in Wolfgang's Hildesheimer "Biosphere Sounds" (1977)

https://doi.org/10.14746/sgp.2022.42.17

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