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Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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Denis Viren
277-280
The Relationship Between Form and Content in Early Grzegorz Królikiewicz Documentaries
2014 June 13
https://doi.org/10.14746/i.2014.24.27
Monika Górska
322-325
The Story With No Punchline
2009 June 13
https://doi.org/10.14746/i.2009.13.14.25
Andrzej Szpulak
99-106
"The Story of the Kowalski Family" and Quarter L. Memory Messages on the Screen
2014 June 13
https://doi.org/10.14746/i.2014.24.10
Marek Hendrykowski
91-98
The Film Document as a Testimony of the Present: A Sceptic at the Confessional
2014 June 13
https://doi.org/10.14746/i.2014.24.9
Tadeusz Lubelski
129-136
Krzysztof Kieślowski’s “Camera Buff”: a revised version of “First Love”
2019 March 25
https://doi.org/10.14746/i.2018.33.11
Katarzyna Citko
129-136
"Without One Tree, a Forest Will Stay a Forest" by Dagmara Drzazga As a Religious and Historical Documentary
2014 June 13
https://doi.org/10.14746/i.2014.24.14
Wojciech Otto
123-134
On a construction site – a change of perspectives. Architecture in Polish documentaries of the 1960s.
2019 January 8
https://doi.org/10.14746/i.2017.31.12
Anna Estera Mrozewicz
173-192
Underwater, cosmic, spiritual. Russian cities in Scandinavian documentaries
2013 January 13
https://doi.org/10.14746/i.2013.21.13
Mikołaj Jazdon
65-74
Reports from Remembering. Marian Marzyński’s Documentary Reconstructions of the Past Reality
2012 June 13
https://doi.org/10.14746/i.2012.20.05
Katarzyna Mąka-Malatyńska
289-300
Journey to the land of verisimilitude: The animated documentaries of Marcin Podolec
2017 March 15
https://doi.org/10.14746/i.2017.29.18
Piotr Pławuszewski
212-216
Małgorzata Szumowska – a Few Scenes from a Filmmaker’s Life (2000-2008)
2012 June 13
https://doi.org/10.14746/i.2012.20.15
Maciej Pietrzak
137-147
The exile of survivors. The experience of post-March ‘68 emigration in films of Marian Marzyński and Leszek Leo Kantor
2017 March 15
https://doi.org/10.14746/i.2017.29.8
Marek Hendrykowski
103-118
Jerzy Bossak. Sketch for a portrait
2017 March 15
https://doi.org/10.14746/i.2017.29.6
Radosław Dąbrowski
87-107
Krzysztof Kieślowski and Ingmar Bergman – once again about a certain artistic relationship
2019 March 25
https://doi.org/10.14746/i.2018.33.08
Iwona Pomianowska
45–64
Modern documentary in the age of virtual reality: Deapening engagement with nonfiction storytelling through technological innovation
2018 April 26
https://doi.org/10.14746/i.2017.30.04.
Marek Hendrykowski
314-322
Where is our home? The story of a film
2017 March 15
https://doi.org/10.14746/i.2017.29.20
Olena Rosinska, Marta Tymińska
79-95
Methods for designing strategic narratives in the description of the 2022 Russian-Ukrainian war in documentaries
2023 October 20
https://doi.org/10.14746/i.2023.34.43.5
Serhiy Marchenko
57-75
Non-fiction cinema of independent Ukraine
2023 October 20
https://doi.org/10.14746/i.2023.34.43.4
Tetiana Mychajłowa
49-56
Triada obrazów akwatycznych jako podstawa integralności kompozycji filmu dokumentalnego Ołeksandra Awszarowa i Switłany Rudiuk Wasz Wasyl
2023 October 20
https://doi.org/10.14746/i.2023.34.43.3
Witold Stok
279-282
Ear to the ground. Searching for ourselves in each other
2023 October 20
https://doi.org/10.14746/i.2023.34.43.17
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