Vol. 25 No. 34 (2019): Israel in Audio/Visual Culture

Vol. 25 No. 34 (2019)

Published 2019 June 15
Israel in Audio/Visual Culture

EDITOR-IN-CHIEF:
prof. UAM dr hab. Andrzej Szpulak; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań

GUEST EDITORS:
prof. UAM dr hab. Marek Kaźmierczak; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań
prof. Ilan Avisar; Department of Film and Television, Tel Aviv University

Journal cover Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, volume 25, no. 34, year 2019, title Israel in Audio/Visual Culture
Ilan Avisar, Marek Każmierczak
5-12
Israel in audio/visual culture: An (non-obvious) introduction
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Zvi Orgad
15-27
Synagogue paintings as indicating a!developing conception of national redemption
https://doi.org/10.14746/i.2019.34.01
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Ilan Avisar
29–44
The national and the popular in Israeli cinema
https://doi.org/10.14746/i.2019.34.02
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Carrie Bettel (Translator)
45-55
The success of Adi Nes’s "ctional photographic portraits: "gures of alterity and the utilization of memories in visual self-portraiture
https://doi.org/10.14746/i.2019.34.03
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Marek Hendrykowski
59-68
Reality as a feeling – a feeling as reality. On the film by Joseph Cedar, Footnote
https://doi.org/10.14746/i.2019.34.04
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Yael Ben-Moshe , Tobias Ebbrecht-Hartmann
69–86
Terror films: The socio-cultural reconstruction of trauma in contemporary Israeli cinema
https://doi.org/10.14746/i.2019.34.05
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Ruth Dorot
87-113
Mosaic of Israel’s landscapes as an expression of geographical, cultural, and religious diversity
https://doi.org/10.14746/i.2019.34.06
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Sylwia Szykowna
115–124
Art as a laboratory – Guy Ben-Ary’s work
https://doi.org/10.14746/i.2019.34.07
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Author Gallery

Adi Nes
125-136
Images
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Varia

Hanna Przybysz
137-147
Artysta jako nieświadomy neurobiolog. Filmoznawczo-neurokognitywistyczna analiza myśli Hugo Münsterberga i Lwa Kuleszowa
https://doi.org/10.14746/i.2019.34.08
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Nikica Gilić
148-154
Modernism and auteurial Cinema in Croatia in the 1960s
https://doi.org/10.14746/i.2019.34.09
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Tomasz Kłys
155-162
Fiancées and widows: women’s encounters with death in the silent films of Fritz Lang
https://doi.org/10.14746/i.2019.34.10
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Artur Borowiecki
163-171
Neo series, premium series or post soap opera? In looking for characteristics of the new generation TV series
https://doi.org/10.14746/i.2019.34.11
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Urszula Tes
172-179
Human on fire as a gesture of self-offering in Polish documentary films
https://doi.org/10.14746/i.2019.34.12
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Kamila Kulessa
180-188
Disembodied body in Carlos Saura’s Cría Cuervos (Raise ravens)
https://doi.org/10.14746/i.2019.34.13
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Notes about authors

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189-191
Noty o autorach
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192-194
Notes about authors
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