Opublikowane: 2019-06-15

Israel in audio/visual culture: An (non-obvious) introduction

Ilan Avisar, Marek Każmierczak

5-12

PDF (English)

Synagogue paintings as indicating a!developing conception of national redemption

Zvi Orgad

15-27

PDF (English)

The national and the popular in Israeli cinema

Ilan Avisar

29–44

PDF (English)

The success of Adi Nes’s "ctional photographic portraits: "gures of alterity and the utilization of memories in visual self-portraiture

Carrie Bettel

45-55

PDF (English)

Reality as a feeling – a feeling as reality. On the film by Joseph Cedar, Footnote

Marek Hendrykowski

59-68

PDF (English)

Terror films: The socio-cultural reconstruction of trauma in contemporary Israeli cinema

Yael Ben-Moshe , Tobias Ebbrecht-Hartmann

69–86

PDF (English)

Mosaic of Israel’s landscapes as an expression of geographical, cultural, and religious diversity

Ruth Dorot

87-113

PDF (English)

Art as a laboratory – Guy Ben-Ary’s work

Sylwia Szykowna

115–124

PDF (English)

Author Gallery

Images

Adi Nes

125-136

PDF (English)

Varia

Artysta jako nieświadomy neurobiolog. Filmoznawczo-neurokognitywistyczna analiza myśli Hugo Münsterberga i Lwa Kuleszowa

Hanna Przybysz

137-147

PDF

Modernizm a film autorski lat sześćdziesiątych w Chorwacji

Nikica Gilić

148-154

pdf

Fiancées and widows: women’s encounters with death in the silent films of Fritz Lang

Tomasz Kłys

155-162

PDF (English)

Neoserial, serial premium czy post soap opera? W poszukiwaniu wyznaczników dla seriali nowej generacji

Artur Borowiecki

163-171

PDF

Human on fire as a gesture of self-offering in Polish documentary films

Urszula Tes

172-179

PDF (English)

Odcieleśnione ciało w filmie Nakarmić kruki Carlosa Saury

Kamila Kulessa

180-188

PDF

Noty o autorach

Noty o autorach

. .

189-191

PDF

Notes about authors

. .

192-194

PDF (English)