Tom 25 Nr 34 (2019): Israel in Audio/Visual Culture

Tom 25 Nr 34 (2019)

Opublikowany 2019 czerwca 15
Israel in Audio/Visual Culture
Ilan Avisar, Marek Każmierczak
5-12
Israel in audio/visual culture: An (non-obvious) introduction
PDF (English)
Zvi Orgad
15-27
Synagogue paintings as indicating a!developing conception of national redemption
https://doi.org/10.14746/i.2019.34.01
PDF (English)
Ilan Avisar
29–44
The national and the popular in Israeli cinema
https://doi.org/10.14746/i.2019.34.02
PDF (English)
Carrie Bettel
45-55
The success of Adi Nes’s "ctional photographic portraits: "gures of alterity and the utilization of memories in visual self-portraiture
https://doi.org/10.14746/i.2019.34.03
PDF (English)
Marek Hendrykowski
59-68
Reality as a feeling – a feeling as reality. On the film by Joseph Cedar, Footnote
https://doi.org/10.14746/i.2019.34.04
PDF (English)
Yael Ben-Moshe , Tobias Ebbrecht-Hartmann
69–86
Terror films: The socio-cultural reconstruction of trauma in contemporary Israeli cinema
https://doi.org/10.14746/i.2019.34.05
PDF (English)
Ruth Dorot
87-113
Mosaic of Israel’s landscapes as an expression of geographical, cultural, and religious diversity
https://doi.org/10.14746/i.2019.34.06
PDF (English)
Sylwia Szykowna
115–124
Art as a laboratory – Guy Ben-Ary’s work
https://doi.org/10.14746/i.2019.34.07
PDF (English)

Author Gallery

Adi Nes
125-136
Images
PDF (English)

Varia

Hanna Przybysz
137-147
Artysta jako nieświadomy neurobiolog. Filmoznawczo-neurokognitywistyczna analiza myśli Hugo Münsterberga i Lwa Kuleszowa
https://doi.org/10.14746/i.2019.34.08
PDF
Nikica Gilić
148-154
Modernizm a film autorski lat sześćdziesiątych w Chorwacji
https://doi.org/10.14746/i.2019.34.09
pdf
Tomasz Kłys
155-162
Fiancées and widows: women’s encounters with death in the silent films of Fritz Lang
https://doi.org/10.14746/i.2019.34.10
PDF (English)
Artur Borowiecki
163-171
Neoserial, serial premium czy post soap opera? W poszukiwaniu wyznaczników dla seriali nowej generacji
https://doi.org/10.14746/i.2019.34.11
PDF
Urszula Tes
172-179
Human on fire as a gesture of self-offering in Polish documentary films
https://doi.org/10.14746/i.2019.34.12
PDF (English)
Kamila Kulessa
180-188
Odcieleśnione ciało w filmie Nakarmić kruki Carlosa Saury
https://doi.org/10.14746/i.2019.34.13
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Noty o autorach

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189-191
Noty o autorach
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192-194
Notes about authors
PDF (English)