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Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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Piotr Pomostowski
117-125
"Go West", or the Marx brothers, ride an iron horse
2014 January 13
https://doi.org/10.14746/i.2014.23.12
Joanna Wojciechowska-Kucięba
81-90
Aesthetics of 1950s and 1960s interiors presented in Polish comedy films from that period
2019 January 8
https://doi.org/10.14746/i.2017.31.08
Krzysztof Kozłowski
249-258
Jerzy Wójcik - light aesthetics
2014 January 13
https://doi.org/10.14746/i.2014.23.23
Marek Hendrykowski
169-179
Muses in the intimate light. Transformation of Arts in the Years of “Thaw” and “Polish October 56”
2009 June 13
https://doi.org/10.14746/i.2009.13.14.13
Katarzyna Boratyn
65–75
Actualization, fragmentation, duration – an attempt to describe temporal perspectives of contemporary documentary
2018 April 26
https://doi.org/10.14746/i.2017.30.05.
Piotr Pomostowski
243-255
Between high culture and popular culture. The music of George Gershwin in Manhattan by Woody Allen
2013 January 13
https://doi.org/10.14746/i.2013.21.18
MAREK HENDRYKOWSKI
19-32
Cinema under pressure
https://doi.org/10.14746/i.2016.27.02.
Volha Dashuk
71-76
On the Edge
2014 June 13
https://doi.org/10.14746/i.2014.24.7
Wojciech Otto
123-139
The Smell of Heath, Epilepsy and the Pope’s Portrait (Andrzej Wajda’s “Sweet Rush” and Peter Zelenka’s “The Brothers Kramazov”)
2009 June 13
https://doi.org/10.14746/i.2009.13.14.10
Ewa Sobolewska, Jan Zamojski
115-132
Two Voices about Poznań Studio of Animation Films
2013 January 13
https://doi.org/10.14746/i.2013.22.08
Marek Hendrykowski
189-201
The Dramaturgy of Roman Polański’s Two Men with a Wardrobe
2015 January 13
https://doi.org/10.14746/i.2015.25.12
Marek Hendrykowski
143-151
Skolimowski's "Hamleś" as a Parody
2014 January 13
https://doi.org/10.14746/i.2014.23.14
Marek Hendrykowski
222-224
The Kolski's Film Trip
2011 January 1
https://doi.org/10.14746/i.2011.15.16.15
Justyna Czaja
107-112
The Past and Memory in "Archive of Lives": Justyna Łuczaj-Salefs Impressionist Historical Documentary
2014 June 13
https://doi.org/10.14746/i.2014.24.11
Marek Hendrykowski
292–301
An Actor as a Digital Marionet, or Edward Gordon Craig in the Cinema of the Future
2018 April 26
https://doi.org/10.14746/i.2017.30.21.
Piotr Pławuszewski
231-235
Cinema of a large frame
2011 January 13
https://doi.org/10.14746/i.2011.17.18.13
Katarzyna Mąka-Malatytńska
129-141
Parodies, travesties, overtures – meaning of styling treatments in Mark Piwowski’s school films
2014 January 13
https://doi.org/10.14746/i.2014.23.13
Adam Domalewski
323-328
Animated etudes by Grzegorz Wacławek
2017 March 15
https://doi.org/10.14746/i.2017.29.21
Matej Bobrik
207-230
Autobiographical documentary. The author's exploration of the film "Self (less) -Portrait"
2014 June 13
https://doi.org/10.14746/i.2014.24.23
Marek Hendrykowski
67-77
Methodology of New Film History
2015 June 13
https://doi.org/10.14746/i.2015.26.06
Liubov Krupnyk
211-226
Cinema and Polish-Ukrainian Relations Between the 1990s and 2010s
2023 October 20
https://doi.org/10.14746/i.2023.34.43.13
Katarzyna Lisiecka
191-204
Angelologic treatise between the arts. On “The Wings of Desire” by Wim Wenders
2009 June 13
https://doi.org/10.14746/i.2009.13.14.15
Andrzej Szpulak
334-341
Reformer and Outstanding Politician or Rake on a Metaphysical Scale. Two Portraits of Tsar Ivan the Terrible in Russian Cinema
2013 January 13
https://doi.org/10.14746/i.2013.21.27
Adam Domalewski
53-63
Between Korea and Europe. The Dramaturgy of Films by Kim Ki-duk
2015 January 13
https://doi.org/10.14746/i.2015.25.03
Andrzej Szpulak
220-231
Camera and poeta doctus? About Edward Żebrowski’s Films
2011 January 13
https://doi.org/10.14746/i.2011.17.18.12
126 - 150 of 226 items
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