No. 6 (2014)

Published 2015 June 23

Dysydenci, kontestatorzy, kultura sprzeciwu i współczesność

Bogusław Zieliński, Krystyna Pieniążek-Marković

11-13

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Dysydenci, kontestatorzy, kultura oporu i współczesność

Małgorzata Balcerzak

17–32

Royalists and Dwarfs Take to the Streets. Culture of Resistance in the Activities of Movements of Czech Children and Orange Alternative

https://doi.org/10.14746/pss.2014.6.1

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Marek Bankowicz

33–48

Václav Havel: Non-political Politician

https://doi.org/10.14746/pss.2014.6.2

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Barbara Czapik-Lityńska

49–62

Parenthetical Remarks on Literary Contestations by Dubravka Ugrešić

https://doi.org/10.14746/pss.2014.6.3

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Olga Czernikow

63–74

Contestation à rebours. On Writing and Non-Writing of Karel Michal

https://doi.org/10.14746/pss.2014.6.4

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Maciej Czerwiński

75–90

A Dissident Bogdan Radica

https://doi.org/10.14746/pss.2014.6.5

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Nikica Gilić

91–104

Early 1970s and the Cinematic Case of Tomislav Radić

https://doi.org/10.14746/pss.2014.6.6

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Dorota Gołek-Sepetliewa

105–118

A Few Remarks about the Dissident Movements and the Anti-Totalitarian Literature in Bulgaria

https://doi.org/10.14746/pss.2014.6.7

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Людмила Касян

119–128

Resistance to the Totalitarian System as a Key Theme of the Memoir-Autobiographical Discourse of the Sixties

https://doi.org/10.14746/pss.2014.6.8

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Maša Kolanović

129–144

Reaches and Limits of the Symbolic Resistance. „Jeans Prose” in the Context of Yugoslav Socialism

https://doi.org/10.14746/pss.2014.6.9

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Urszula Kowalska

145–156

„Byl to život na sopce, život pod závalem, život v tekoucí lavině”. „Dissident Ghetto” by Pavel Kohout

https://doi.org/10.14746/pss.2014.6.10

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Владислав Кривонос

157–168

Through the Eyes „of the Other” [Notes on E.G. Etkind’s Prose]

https://doi.org/10.14746/pss.2014.6.11

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Людмила Луцевич

169–184

Two Motives of Russian Dissident Movement: Background and Literature Antagonism Technologies

https://doi.org/10.14746/pss.2014.6.12

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Helena Peričić

185–204

„Writing the Truth Instead of History”: Resistance to Ideology in some Croatian Plays in the Second Half of the 20th Century

https://doi.org/10.14746/pss.2014.6.13

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Martina Petranović

205–218

„It’s not on the Poet to Bow to the King”. The Dissident’s Position in Croatian Theatre Studies – the Ivšić Case

https://doi.org/10.14746/pss.2014.6.14

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Martin Pilař

219–228

Poetry of Pavel Zajíček after His Return from Exile

https://doi.org/10.14746/pss.2014.6.15

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Katarzyna Urszula Roman

229–242

A Political Turn in Russian Contemporary Literature or „Left Front of the Arts” by Zakhar Prilepin

https://doi.org/10.14746/pss.2014.6.16

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Veljko Stanić

243–260

„The Emigrant Within”: The Political Ideas of Milovan Djilas 1954–1989

https://doi.org/10.14746/pss.2014.6.17

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Элла Григорьевна Задорожнюк

261–276

The Czech Lot: Illusions and Realities [Milan Kundera and Václav Havel Polemics]

https://doi.org/10.14746/pss.2014.6.18

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ESSAY

Amelia Licheva

279–290

Transformations of the Dissident Behaviour. Politics in Post-1989 Bulgarian Literature

https://doi.org/10.14746/pss.2014.6.19

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Žarko Paić

291-307

Muzej nepokornosti

https://doi.org/10.14746/pss.2014.6.20

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AROUND THE SUBJECT

Гергина Кръстева

311–324

In the „Whale’s Womb” or the „Silent Outcry” of the Bulgarian Poets of the 1960s and 1970s

https://doi.org/10.14746/pss.2014.6.21

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OFF-TOPIC

Dubravka Đurić

327–340

Discourses of Feminism and Modernism in the Essays of Julka Chlapec Đorđević and Jela Spiridonović-Savić

https://doi.org/10.14746/pss.2014.6.22

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Lektury

Anna Gawarecka

343-349

Czy warto dziś być niezadowolonym?

https://doi.org/10.14746/pss.2014.6.23

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Wojciech Joźwiak

350-352

Kilka słów o początkach kina bułgarskiego

https://doi.org/10.14746/pss.2014.6.24

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Izabela Lis-Wielgosz

353-357

Upiorne oblicze systemu

https://doi.org/10.14746/pss.2014.6.25

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Валентина Наривская

358-365

О литературе как феномене эстетики

https://doi.org/10.14746/pss.2014.6.26

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Joanna Rękas

366-370

„Anafora”, czyli o celowości działań

https://doi.org/10.14746/pss.2014.6.27

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