No. 41 (2024)

No. 41 (2024)

Published 2024 November 28
Full Issue
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1-4
Contents
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Editorial

Krajewska Krajewska
5-11
The indefinable worlds of the avant-garde, or what Schrödinger’s cat has in common with the avant-garde
https://doi.org/10.14746/pt.2024.41.0
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Dissertations

Beata Śniecikowska
15-42
The energy of the avant-garde, or one particular verbovisual perpetuum mobile
https://doi.org/10.14746/pt.2024.41.1
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Piotr Bogalecki
43-60
The Generation of Poetic Energy. The case of Ut pictura poesis by Witold Wirpsza
https://doi.org/10.14746/pt.2024.41.2
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Dorota Kołodziej
61-73
The word’s momentum. Information noise as a method of writing in Wagary by Witold Wirpsza
https://doi.org/10.14746/pt.2024.41.3
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Józef Olejniczak
75-86
On the metaphor “from behind the glass”
https://doi.org/10.14746/pt.2024.41.4
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Paweł Tomczok
87-99
Bruno Schulz and the media episteme of the avant-garde
https://doi.org/10.14746/pt.2024.41.5
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Elżbieta Winiecka
101-123
Scaling the imagination: the language machine and poetry
https://doi.org/10.14746/pt.2024.41.6
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Marta Tomczok
125-144
Coal in the avant-garde (Tadeusz Peiper – Julian Przyboś – Jan Brzękowski – Bolesław Lubosz)
https://doi.org/10.14746/pt.2024.41.7
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Jarosław Fazan
145-154
What for Peiper?
https://doi.org/10.14746/pt.2024.41.8
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Barbara Sienkiewicz
155-172
What follows from Peiper’s design of “embrace with the present” (reflections of a historian of the twentieth-century avant-garde, with a slight swing towards the XXI century)
https://doi.org/10.14746/pt.2024.41.9
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Jakub Kornhauser
173-187
Deficiencies of the neo-avant-garde: The Broken Little Man by Roland and Nicolas Topor
https://doi.org/10.14746/pt.2024.41.10
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Agnieszka Karpowicz
189-200
Hoża as a metaphor
https://doi.org/10.14746/pt.2024.41.11
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Anita Jarzyna
201-232
Łęgi (Riparian Forests) – attempts at reclamation. On the poetic-visual practices of Bianka Rolando
https://doi.org/10.14746/pt.2024.41.12
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Urszula Putyńska
233-261
A caricature of Yugoslav reality – The Emperor’s New Clothes by Ante Babaja
https://doi.org/10.14746/pt.2024.41.13
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Irmina Bloch
263-274
An explosion of the „moth-senses”, an implosion of the word. Zenon Fajfer’s Primum Mobile
https://doi.org/10.14746/pt.2024.41.14
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Critical Scene

Monika Błaszczak, Radosław Nowakowski
277-302
An interview with Radosław Nowakowski, conducted in the foyer of the Jagiellonian Library in Kraków on 4.04.2024, a couple of hours before the opening of the artist’s exhibition entitled Always between beyond above – books by Radosław Nowakowski
https://doi.org/10.14746/pt.2024.41.15
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Monika Błaszczak
303-333
LiBeraturian aesthetic experience – on the example of the work of Radosław Nowakowski
https://doi.org/10.14746/pt.2024.41.16
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Reminiscences

Andrzej Juszczyk
337-341
The Reminiscence of Jerzy Jarzębski
https://doi.org/10.14746/pt.2024.41.17
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