Vol. 32 No. 41 (2022): The Special Issue: Film distribution and audiences

Vol. 32 No. 41 (2022)

Published 2023 January 5
The Special Issue: Film distribution and audiences

EDITOR-IN-CHIEF:
prof. UAM dr hab. Andrzej Szpulak; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań

GUEST EDITORS:
prof. UŁ dr hab. Konrad Klejsa; Department of Film and Audio-Visual Media, University of Lodz, Łódź
Małgorzata Miławska-Ratajczak, PhD; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań

Full Issue
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Film distribution and audiences

Jeffrey Klenotic
5-25
‘Big’ and ‘little’ Quo Vadis? in the United States, 1913–1916: Using GIS to map rival modes of feature cinema during the transitional era
https://doi.org/10.14746/i.2022.41.01
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Lina Kaminskaitė-Jančorienė, Juozapas Paškauskas
27-44
Local and Global Framework of Early Cinema in Lithuania: Vilnius Cinemas, Programme Formats and Audience
https://doi.org/10.14746/i.2022.41.02
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Nataliya Puchenkina
45-63
What is so (Un)Exceptional About Soviet Cinema? The Pragmatics of Soviet Film Exports to Germany and France in the 1920s
https://doi.org/10.14746/i.2022.41.03
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Michal Večeřa
65-78
Remaining silent: The ongoing presence of silent films on cinema programmes in Brno between 1930 and 1936
https://doi.org/10.14746/i.2022.41.04
PDF
Konrad Klejsa
79-98
Foreign film in Poland, 1964–1975: selection, import and audience. An introduction
https://doi.org/10.14746/i.2022.41.05
PDF
Emil Sowiński
99-111
Alternative distribution and its role in the promotion of films produced by the Irzykowski Film Studio between 1981–1984
https://doi.org/10.14746/i.2022.41.06
PDF
Jarosław Grzechowiak
113-127
The audience and reception of the films from the Profil Film Unit in 1982-1989
https://doi.org/10.14746/i.2022.41.07
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Peter Turner
129-143
Pause and Rewind: Memories of Age-Inappropriate Film Viewings in the 1980s
https://doi.org/10.14746/i.2022.41.08
PDF
Constantin Parvulescu
145-163
The Critical Innovation Discourse of Small VODs: The Case of The Death of Mr. Lăzărescu on Cinepub
https://doi.org/10.14746/i.2022.41.09
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Sreeram Gopalkrishnan
165-180
Multiplexes in India: Building Castles in a Low-income Market of Uneven Geographies
https://doi.org/10.14746/i.2022.41.10
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Dystrybucja / Widownia

Paweł Sitkiewicz
183-197
Researching the experience of an audience which doesn’t exist. Methodological challenges
https://doi.org/10.14746/i.2022.41.11
PDF (Język Polski)
Andrzej Dębski
199-219
Cinemas for Germans in occupied Krakow in comparison with cinemas for Poles: repertoire policy and audience’s film preferences
https://doi.org/10.14746/i.2022.41.12
PDF (Język Polski)
Justyna Gluba
221-235
Distribution of foreign films in the People’s Republic of Croatia on the background of Yugoslav cultural policy (1944–1963)
https://doi.org/10.14746/i.2022.41.13
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Barbara Giza, Michał Wenzel
237-256
Domestic film classics in the collective consciousness of Polish viewers. Poles’ opinions about domestic films and their attitudes towards Polish film production
https://doi.org/10.14746/i.2022.41.14
PDF (Język Polski)
Marcin Adamczak, Sławomir Salomon
257-276
How to act when “nobody knows anything”? Regularities among the attendance performance of films in theatrical distribution
https://doi.org/10.14746/i.2022.41.15
PDF (Język Polski)

Author Gallery

Redakcja Images
277-298
Film posters from the Magdalena Abakanowicz University of Arts in Poznań

Varia

Redakcja Images
301-302
In memory of Urszula Tes
Urszula Tes
303-316
Banished from Paradise – an analysis of the topos of home in the films of Andrei Zvyagintsev
https://doi.org/10.14746/i.2022.41.16
PDF (Język Polski)
Krzysztof Witczak
317-324
The first time in a dark cinema – film reminiscences in the work of Krystyna Kofta
https://doi.org/10.14746/i.2022.41.17
PDF (Język Polski)
Małgorzata Miławska-Ratajczak
325-333
The Art of Hating. Reduplications, paraphrases and “quotations” in John Komasa’s The Hater
https://doi.org/10.14746/i.2022.41.18
PDF (Język Polski)
Marek Hendrykowski
334-339
Landscape under the forest. About Rhizopolis by Joanna Rajkowska
https://doi.org/10.14746/i.2022.41.19
PDF (Język Polski)

Notes about authors

Redakcja Images
341-347
Notes about authors