Tom 32 Nr 41 (2022): The Special Issue: Film distribution and audiences
The Special Issue: Film distribution and audiences
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Film distribution and audiences

Jeffrey Klenotic
5-25
‘Big’ and ‘little’ Quo Vadis? in the United States, 1913–1916: Using GIS to map rival modes of feature cinema during the transitional era
https://doi.org/10.14746/i.2022.41.01
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Lina Kaminskaitė-Jančorienė, Juozapas Paškauskas
27-44
Local and Global Framework of Early Cinema in Lithuania: Vilnius Cinemas, Programme Formats and Audience
https://doi.org/10.14746/i.2022.41.02
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Nataliya Puchenkina
45-63
What is so (Un)Exceptional About Soviet Cinema? The Pragmatics of Soviet Film Exports to Germany and France in the 1920s
https://doi.org/10.14746/i.2022.41.03
PDF (English)
Michal Večeřa
65-78
Remaining silent: The ongoing presence of silent films on cinema programmes in Brno between 1930 and 1936
https://doi.org/10.14746/i.2022.41.04
PDF (English)
Konrad Klejsa
79-98
Foreign film in Poland, 1964–1975: selection, import and audience. An introduction
https://doi.org/10.14746/i.2022.41.05
PDF (English)
Emil Sowiński
99-111
Alternative distribution and its role in the promotion of films produced by the Irzykowski Film Studio between 1981–1984
https://doi.org/10.14746/i.2022.41.06
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Jarosław Grzechowiak
113-127
The audience and reception of the films from the Profil Film Unit in 1982-1989
https://doi.org/10.14746/i.2022.41.07
PDF (English)
Peter Turner
129-143
Pause and Rewind: Memories of Age-Inappropriate Film Viewings in the 1980s
https://doi.org/10.14746/i.2022.41.08
PDF (English)
Constantin Parvulescu
145-163
The Critical Innovation Discourse of Small VODs: The Case of The Death of Mr. Lăzărescu on Cinepub
https://doi.org/10.14746/i.2022.41.09
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Sreeram Gopalkrishnan
165-180
Multiplexes in India: Building Castles in a Low-income Market of Uneven Geographies
https://doi.org/10.14746/i.2022.41.10
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Noty o autorach

Redakcja Images
341-347
Noty o autorach