Vol. 13 No. 22 (2013): Production Culture

Vol. 13 No. 22 (2013)

Published 2015 October 13
Production Culture

EDITOR-IN-CHIEF:
prof. UAM dr hab. Andrzej Szpulak; Department of Film, Television and New Media, Adam Mickiewicz University, Poznań

GUEST EDITOR:
Marcin Adamczak, PhD; Institute of Cultural Studies, Adam Mickiewicz University, Poznań

Anna Wróblewska
9-25
Polish film production after 2005 in the perspective of quantitative research
https://doi.org/10.14746/i.2013.22.01
PDF (Język Polski)
Grzegorz Fortuna
27-43
Video market in Poland
https://doi.org/10.14746/i.2013.22.02
PDF (Język Polski)
Bolesław Racięski
45-57
Film author according to law in droit d`auteur system and copyright system
https://doi.org/10.14746/i.2013.22.03
PDF (Język Polski)
Małgorzata Smoleń
59-72
Film Studios „Wir” and „Kronika”: a few remarks about production of documentaries after 1989
https://doi.org/10.14746/i.2013.22.04
PDF (Język Polski)
Marcin Adamczak
73-90
Between poetics of culture and production culture. Social context of realization of first Andrzej Wajda’s movies
https://doi.org/10.14746/i.2013.22.05
PDF (Język Polski)
Rafał Syska
91-104
Narration and the production of meaning in neomodernism
https://doi.org/10.14746/i.2013.22.06
PDF (Język Polski)
Marek Hendrykowski
105-113
Film Production as Culture. On Writings by Edward Zajiček
https://doi.org/10.14746/i.2013.22.07
PDF (Język Polski)
Ewa Sobolewska, Jan Zamojski
115-132
Two Voices about Poznań Studio of Animation Films
https://doi.org/10.14746/i.2013.22.08
PDF (Język Polski)
Ewa Mazierska
133-149
Želimir Žilnik and Eastern European independent cinema
https://doi.org/10.14746/i.2013.22.09
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Dorota Ostrowska
151-159
Magic, emotions and film producers: unlocking the “black-box” of film production
https://doi.org/10.14746/i.2013.22.10
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Spela Zajec
161-173
Film production between “global” and “local”: insights from Bosna and Herzegovina
https://doi.org/10.14746/i.2013.22.11
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Balázs Varga
175-187
Tradition and Modernization. Contemporary Hungarian Popular Cinema
https://doi.org/10.14746/i.2013.22.12
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Pavel Skopal
189-199
The (Restored) Practice of DEFA Co-productions with the “Normalized” Czechoslovak Film Studio in the 1970s
https://doi.org/10.14746/i.2013.22.13
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Author Gallery

Aleksandra Hirszfeld
221-240
#20latfotografi ipwsft vit
https://doi.org/10.14746/i.2013.22.14
PDF (Język Polski)

Varia

Karolina Mróz
242-251
The changes of perception as an effect of the influence of new media and new modes of reception of film
https://doi.org/10.14746/i.2013.22.15
PDF (Język Polski)
Marek Hendrykowski
266-272
Intertext in Film Adaptation
https://doi.org/10.14746/i.2013.22.16
PDF (Język Polski)