Vol. 13 No. 22 (2013)

Published 2015 October 13

Production Culture

Anna Wróblewska

9-25

Polish film production after 2005 in the perspective of quantitative research

https://doi.org/10.14746/i.2013.22.01

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Grzegorz Fortuna

27-43

Video market in Poland

https://doi.org/10.14746/i.2013.22.02

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Bolesław Racięski

45-57

Film author according to law in droit d`auteur system and copyright system

https://doi.org/10.14746/i.2013.22.03

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Małgorzata Smoleń

59-72

Film Studios „Wir” and „Kronika”: a few remarks about production of documentaries after 1989

https://doi.org/10.14746/i.2013.22.04

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Marcin Adamczak

73-90

Between poetics of culture and production culture. Social context of realization of first Andrzej Wajda’s movies

https://doi.org/10.14746/i.2013.22.05

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Rafał Syska

91-104

Narration and the production of meaning in neomodernism

https://doi.org/10.14746/i.2013.22.06

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Marek Hendrykowski

105-113

Film Production as Culture. On Writings by Edward Zajiček

https://doi.org/10.14746/i.2013.22.07

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Ewa Sobolewska, Jan Zamojski

115-132

Two Voices about Poznań Studio of Animation Films

https://doi.org/10.14746/i.2013.22.08

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Ewa Mazierska

133-149

Želimir Žilnik and Eastern European independent cinema

https://doi.org/10.14746/i.2013.22.09

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Dorota Ostrowska

151-159

Magic, emotions and film producers: unlocking the “black-box” of film production

https://doi.org/10.14746/i.2013.22.10

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Spela Zajec

161-173

Film production between “global” and “local”: insights from Bosna and Herzegovina

https://doi.org/10.14746/i.2013.22.11

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Balázs Varga

175-187

Tradition and Modernization. Contemporary Hungarian Popular Cinema

https://doi.org/10.14746/i.2013.22.12

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Pavel Skopal

189-199

The (Restored) Practice of DEFA Co-productions with the “Normalized” Czechoslovak Film Studio in the 1970s

https://doi.org/10.14746/i.2013.22.13

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Author Gallery

Aleksandra Hirszfeld

221-240

#20latfotografi ipwsft vit

https://doi.org/10.14746/i.2013.22.14

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Varia

Karolina Mróz

242-251

The changes of perception as an effect of the influence of new media and new modes of reception of film

https://doi.org/10.14746/i.2013.22.15

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Marek Hendrykowski

266-272

Intertext in Film Adaptation

https://doi.org/10.14746/i.2013.22.16

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