Vol. 34 No. 43 (2023): The Special Issue: Ukraine in Flames

Vol. 34 No. 43 (2023)

Published 2023 October 20
The Special Issue: Ukraine in Flames
Full Issue
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Ukraine in Flames

Redakcja Images
5-6
Introduction
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Ukraina w ogniu – wojna a tożsamość

Larysa Briukhovetska
9-28
War drama as a living reality
https://doi.org/10.14746/i.2023.34.43.1
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Yuri Shevchuk
29-48
Filmmaking as Cultural Aggression
https://doi.org/10.14746/i.2023.34.43.2
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Tetiana Mychajłowa
49-56
Triada obrazów akwatycznych jako podstawa integralności kompozycji filmu dokumentalnego Ołeksandra Awszarowa i Switłany Rudiuk Wasz Wasyl
https://doi.org/10.14746/i.2023.34.43.3
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Serhiy Marchenko
57-75
Non-fiction cinema of independent Ukraine
https://doi.org/10.14746/i.2023.34.43.4
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Ukraińska kultura produkcji

Olena Rosinska, Marta Tymińska
79-95
Methods for designing strategic narratives in the description of the 2022 Russian-Ukrainian war in documentaries
https://doi.org/10.14746/i.2023.34.43.5
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Halyna Pohrebniak
97-110
Ukrainian cinematography in the context of intercultural cooperation
https://doi.org/10.14746/i.2023.34.43.6
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Bohdan Shumylovych
111-126
Cinematic Culture During the War in Ukraine: Surviving the Year of Brutalities
https://doi.org/10.14746/i.2023.34.43.7
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Anna Huth
127-133
Professional situation of the Ukrainian actors during the Russian aggression against Ukraine
https://doi.org/10.14746/i.2023.34.43.8
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W trybach historii

Joanna Wojnicka
137-156
Siergiej Paradżanow – reżyser kina ukraińskiego
https://doi.org/10.14746/i.2023.34.43.9
PDF (Język Polski)
Barbara Lena Gierszewska
157-172
Ukraiński ruch filmowy we Lwowie w latach 30. XX wieku
https://doi.org/10.14746/i.2023.34.43.10
PDF (Język Polski)
Roman Rosliak
173-194
Oleksandr Dovzhenko and the Soviet Secret Police
https://doi.org/10.14746/i.2023.34.43.11
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Larysa Naumova
195-208
Oleksandr Dovzhenko, Ivan Kavaleridze, Leonid Skrypnyk: The avant-garde and philosophical explorations of Ukrainian filmmakers of the 1920s
https://doi.org/10.14746/i.2023.34.43.12
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Dwugłos ukraińsko-polski

Liubov Krupnyk
211-226
Cinema and Polish-Ukrainian Relations Between the 1990s and 2010s
https://doi.org/10.14746/i.2023.34.43.13
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Krzysztof Kornacki
227-245
Discourse and the Macabre. Creating an Image of the Past in the Film Hatred by Wojciech Smarzowski
https://doi.org/10.14746/i.2023.34.43.14
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Author Gallery

Heorhiy Yakutovych, Serhiy Yakutovych
247-264
Heorhiy Yakutovych, Serhiy Yakutovych
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Varia

Liubov Krupnyk
267-272
Rozmowa z Jerzym Hoffmanem
https://doi.org/10.14746/i.2023.34.43.15
PDF (Język Polski)
Liubov Krupnyk
273-278
Rozmowa z Krzysztofem Zanussim
https://doi.org/10.14746/i.2023.34.43.16
PDF (Język Polski)
Witold Stok
279-282
Ear to the ground. Searching for ourselves in each other
https://doi.org/10.14746/i.2023.34.43.17
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Wojciech Sławnikowski
283-298
Filmowość Marii Antoniego Malczewskiego
https://doi.org/10.14746/i.2023.34.43.18
PDF (Język Polski)
Marek Hendrykowski
299-304
McLuhan’s window. McLuhan in theory and practice. Tomorrow seen today
https://doi.org/10.14746/i.2023.34.43.19
PDF (Język Polski)
Andrzej Szpulak
305-318
Images of Stalinism in the hardcore and on the fringe. The trouble with the TVP’s Scena Faktu(2006–2010)
https://doi.org/10.14746/i.2023.34.43.20
PDF (Język Polski)
Grażyna Gajewska
319-336
Prosthetic bodies in Anglo-Saxon works of science fiction. A post-humanist perspectiv
https://doi.org/10.14746/i.2023.34.43.21
PDF (Język Polski)
Barbora Vinczeová
337-344
Religion, Female Sexuality and Magic in (Post)Modern Film
https://doi.org/10.14746/i.2023.34.43.22
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Agata Jankowska
345-358
Images which are not there. The Representations of the Final Solution in the Examples of Son of Saul and Kornblumenblau
https://doi.org/10.14746/i.2023.34.43.23
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Notes about authors

Redakcja Images
359-366
Notes about authors
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