Vol. 7 No. 13-14 (2009): Dancing Muses
Dancing Muses
Marek Hendrykowski
5-14
Dancing muses. Cinema and the correspondance of arts
https://doi.org/10.14746/i.2009.13.14.01
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Werner Faulstich
15-26
Music and Media – From Ancient Times to The Present. A Historical Essay
https://doi.org/10.14746/i.2009.13.14.02
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Anno Mungen
29-45
Films for Music. Edgard Varèse and Bill Viola
https://doi.org/10.14746/i.2009.13.14.03
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Krzysztof Kozłowski
47-64
The Kubrick Horror Show: making music in “The Shining”
https://doi.org/10.14746/i.2009.13.14.04
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Anno Mungen
65-72
Towards “Film Opera”. Kurt Weil’s Musical Experiments In Fritz Lang’s “You and Me”
https://doi.org/10.14746/i.2009.13.14.05
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Anna Igielska
73-86
Cardenio’s Decorum. About the madman from Henry Purcell’s mad song
https://doi.org/10.14746/i.2009.13.14.06
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Daniel Brandenburg
87-96
Mozart and singers: limitation or inspiration?
https://doi.org/10.14746/i.2009.13.14.07
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Tomasz Kowalski
97-110
“Love’s Labour’s Lost” – Shakspearean Libretto by W.H. Auden and Ch. Kallman
https://doi.org/10.14746/i.2009.13.14.08
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Małgorzata Choczaj
111-121
Film and Drama. Roman Polanski’s “Death and the Maiden”
https://doi.org/10.14746/i.2009.13.14.09
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Wojciech Otto
123-139
The Smell of Heath, Epilepsy and the Pope’s Portrait (Andrzej Wajda’s “Sweet Rush” and Peter Zelenka’s “The Brothers Kramazov”)
https://doi.org/10.14746/i.2009.13.14.10
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Mikołaj Jazdon
141-149
About the Film Adaptation of Zofia Nałkowska’ short story “Aside of the Railway”
https://doi.org/10.14746/i.2009.13.14.11
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Katarzyna Mąka-Malatyńska
151-167
The Artist In L’univers Concentrationnaire. Leszek Wosiewicz’s “Kornblumenblau” As a Treaty About Art
https://doi.org/10.14746/i.2009.13.14.12
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Marek Hendrykowski
169-179
Muses in the intimate light. Transformation of Arts in the Years of “Thaw” and “Polish October 56”
https://doi.org/10.14746/i.2009.13.14.13
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Anna Mrozewicz
181-190
The voice of Joan. On paragone in Carl Th. Dreyer’s “The Passion of Joan of Arc”
https://doi.org/10.14746/i.2009.13.14.14
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Katarzyna Lisiecka
191-204
Angelologic treatise between the arts. On “The Wings of Desire” by Wim Wenders
https://doi.org/10.14746/i.2009.13.14.15
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Anna Śliwińska
205-210
Jazz variations in “angry young men” cinema
https://doi.org/10.14746/i.2009.13.14.16
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Paulina Malczewska
211-223
How Beckett’s Man Was Born from Keaton, or an Absurdist Book of Genesis
https://doi.org/10.14746/i.2009.13.14.17
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Jakub Popielecki
225-234
Boredom of travelling, boredom of waiting. Gus Van Sant’s “Gerry” and the theatre of Samuel Beckett
https://doi.org/10.14746/i.2009.13.14.18
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Michał Krawczak
235-241
The Loop of Images. Video According to Marina Abramowić
https://doi.org/10.14746/i.2009.13.14.19
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Agnieszka Jelewska
243-256
Transmedia and Robert Wilson’s Art
https://doi.org/10.14746/i.2009.13.14.20
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