Vol. 16 No. 25 (2015): Aristotle Spin-Offs. Dramaturgy and the Audiovisual Arts

Vol. 16 No. 25 (2015)

Published 2016 February 26
Aristotle Spin-Offs. Dramaturgy and the Audiovisual Arts

EDITOR-IN-CHIEF:
prof. UAM dr hab. Andrzej Szpulak; Department of Film, Television and New Media, Adam Mickiewicz University, Poznań

GUEST EDITORS:
Anna Igielska, PhD; Department of Film, Television and New Media, Adam Mickiewicz University, Poznań Katarzyna Lisiecka, PhD; Department of Drama and Theatre, Adam Mickiewicz University, Poznań

Journal cover Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, volume 16, no. 25, year 2015, title Aristotle Spin-Offs. Dramaturgy and the Audiovisual Arts
Katarzyna Mąka-Malatyńska
25-41
Comments on the Dramaturgy of Documentaries
https://doi.org/10.14746/i.2015.25.01
PDF (Język Polski)
Zuzanna Lewandowska
43-52
The Narrative Complexity of Contemporary TV Series Based on Vince Gilligan’s Breaking Bad
https://doi.org/10.14746/i.2015.25.02
PDF (Język Polski)
Adam Domalewski
53-63
Between Korea and Europe. The Dramaturgy of Films by Kim Ki-duk
https://doi.org/10.14746/i.2015.25.03
PDF (Język Polski)
Olga Katafiasz
65-72
Sun and Shadow; The Go-Between’s Dramaturgy: Hartley / Pinter / Losey
https://doi.org/10.14746/i.2015.25.04
PDF (Język Polski)
Wojciech Otto
73-84
Paradigm and Suspense. Th e Dramaturgy of a Film Script
https://doi.org/10.14746/i.2015.25.05
PDF (Język Polski)
Adrianna Fiłonowicz
85-94
Once Upon a Time in the Suburbs. The Use of Fairy Tales in Tim Burton’s Edward Scissorhands
https://doi.org/10.14746/i.2015.25.06
PDF (Język Polski)
Anna Śliwińska
95-103
Poetics of the Happy Ending in Mike Leigh's Films
https://doi.org/10.14746/i.2015.25.07
PDF
Małgorzata Choczaj
105-112
The Dramaturgy of Colour in David Fincher’s Gone Girl
https://doi.org/10.14746/i.2015.25.08
PDF (Język Polski)
Piotr Kubiński
113-123
Bergman vs. Batman. Technical Disillusion as an Artistic Device in Video Games in the Context of Literary and Film Techniques
https://doi.org/10.14746/i.2015.25.09
PDF (Język Polski)
Agnieszka Powierska
125-131
“He looked at everything as if through an imaginary camera” – Photography in Ari Folman’s Waltz with Bashir
https://doi.org/10.14746/i.2015.25.10
PDF (Język Polski)

Student films

Andrzej Szpulak
181-187
A Quarter of a Century Before Time. About Henryk Kluba’s Student Film Salvation
https://doi.org/10.14746/i.2015.25.11
PDF (Język Polski)
Marek Hendrykowski
189-201
The Dramaturgy of Roman Polański’s Two Men with a Wardrobe
https://doi.org/10.14746/i.2015.25.12
PDF (Język Polski)
Patrycja Rojek
203-215
Between Classical Narration and Non-classical Dramaturgy. Jagoda Szelc’s Such a Landscape
https://doi.org/10.14746/i.2015.25.13
PDF (Język Polski)

Filmmaker workshop

Katarzyna Mąka-Malatyńska
133-146
Maciej Drygas Film Archeology
https://doi.org/10.14746/i.2015.25.14
PDF (Język Polski)
Maciej Drygas
147-160
Analysis of the Documentary "Hear My Cry"
https://doi.org/10.14746/i.2015.25.15
PDF (Język Polski)
Maciej Drygas
161-178
Analysis of the Documentary "Violated Letters"
https://doi.org/10.14746/i.2015.25.16
PDF (Język Polski)

Author Gallery

Igor Oleś
217-231
Limbo
https://doi.org/10.14746/i.2015.25.17
PDF (Język Polski)

Varia

Anna Mikonis-Railienė
234-248
History and Symbols: Lithuanian and Central European Cinema of the 1960s
https://doi.org/10.14746/i.2015.25.18
PDF (Język Polski) PDF
Marek Hendrykowski
249-255
The Methodological Problems of Studies on the History of Polish Postwar Documentary
https://doi.org/10.14746/i.2015.25.19
PDF (Język Polski)
Lechosław Trzęsowski
255-264
A trip to the unknown. Interview with Lechosław Trzęsowski, cinematographer for Krzysztof Kieślowski's school etudes "Office" (1966) and "Concert of wishes" (1967)
https://doi.org/10.14746/i.2015.25.20
PDF (Język Polski)