Vol. 16 No. 25 (2015): Aristotle Spin-Offs. Dramaturgy and the Audiovisual Arts
Aristotle Spin-Offs. Dramaturgy and the Audiovisual Arts
Volume editors: Anna Igielska, Katarzyna Lisiecka
Katarzyna Mąka-Malatyńska
25-41
Comments on the Dramaturgy of Documentaries
https://doi.org/10.14746/i.2015.25.01
PDF (Język Polski)
Zuzanna Lewandowska
43-52
The Narrative Complexity of Contemporary TV Series Based on Vince Gilligan’s Breaking Bad
https://doi.org/10.14746/i.2015.25.02
PDF (Język Polski)
Adam Domalewski
53-63
Between Korea and Europe. The Dramaturgy of Films by Kim Ki-duk
https://doi.org/10.14746/i.2015.25.03
PDF (Język Polski)
Olga Katafiasz
65-72
Sun and Shadow; The Go-Between’s Dramaturgy: Hartley / Pinter / Losey
https://doi.org/10.14746/i.2015.25.04
PDF (Język Polski)
Wojciech Otto
73-84
Paradigm and Suspense. Th e Dramaturgy of a Film Script
https://doi.org/10.14746/i.2015.25.05
PDF (Język Polski)
Adrianna Fiłonowicz
85-94
Once Upon a Time in the Suburbs. The Use of Fairy Tales in Tim Burton’s Edward Scissorhands
https://doi.org/10.14746/i.2015.25.06
PDF (Język Polski)
Anna Śliwińska
95-103
Poetics of the Happy Ending in Mike Leigh's Films
https://doi.org/10.14746/i.2015.25.07
PDF
Małgorzata Choczaj
105-112
The Dramaturgy of Colour in David Fincher’s Gone Girl
https://doi.org/10.14746/i.2015.25.08
PDF (Język Polski)
Piotr Kubiński
113-123
Bergman vs. Batman. Technical Disillusion as an Artistic Device in Video Games in the Context of Literary and Film Techniques
https://doi.org/10.14746/i.2015.25.09
PDF (Język Polski)
Agnieszka Powierska
125-131
“He looked at everything as if through an imaginary camera” – Photography in Ari Folman’s Waltz with Bashir
https://doi.org/10.14746/i.2015.25.10
PDF (Język Polski)