Vol. 16 No. 25 (2015): Aristotle Spin-Offs. Dramaturgy and the Audiovisual Arts

Vol. 16 No. 25 (2015)

Published 2016 February 26
Aristotle Spin-Offs. Dramaturgy and the Audiovisual Arts
Volume editors: Anna Igielska, Katarzyna Lisiecka
Katarzyna Mąka-Malatyńska
25-41
Comments on the Dramaturgy of Documentaries
https://doi.org/10.14746/i.2015.25.01
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Zuzanna Lewandowska
43-52
The Narrative Complexity of Contemporary TV Series Based on Vince Gilligan’s Breaking Bad
https://doi.org/10.14746/i.2015.25.02
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Adam Domalewski
53-63
Between Korea and Europe. The Dramaturgy of Films by Kim Ki-duk
https://doi.org/10.14746/i.2015.25.03
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Olga Katafiasz
65-72
Sun and Shadow; The Go-Between’s Dramaturgy: Hartley / Pinter / Losey
https://doi.org/10.14746/i.2015.25.04
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Wojciech Otto
73-84
Paradigm and Suspense. Th e Dramaturgy of a Film Script
https://doi.org/10.14746/i.2015.25.05
PDF (Język Polski)
Adrianna Fiłonowicz
85-94
Once Upon a Time in the Suburbs. The Use of Fairy Tales in Tim Burton’s Edward Scissorhands
https://doi.org/10.14746/i.2015.25.06
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Anna Śliwińska
95-103
Poetics of the Happy Ending in Mike Leigh's Films
https://doi.org/10.14746/i.2015.25.07
PDF
Małgorzata Choczaj
105-112
The Dramaturgy of Colour in David Fincher’s Gone Girl
https://doi.org/10.14746/i.2015.25.08
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Piotr Kubiński
113-123
Bergman vs. Batman. Technical Disillusion as an Artistic Device in Video Games in the Context of Literary and Film Techniques
https://doi.org/10.14746/i.2015.25.09
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Agnieszka Powierska
125-131
“He looked at everything as if through an imaginary camera” – Photography in Ari Folman’s Waltz with Bashir
https://doi.org/10.14746/i.2015.25.10
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Student films

Andrzej Szpulak
181-187
A Quarter of a Century Before Time. About Henryk Kluba’s Student Film Salvation
https://doi.org/10.14746/i.2015.25.11
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Marek Hendrykowski
189-201
The Dramaturgy of Roman Polański’s Two Men with a Wardrobe
https://doi.org/10.14746/i.2015.25.12
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Patrycja Rojek
203-215
Between Classical Narration and Non-classical Dramaturgy. Jagoda Szelc’s Such a Landscape
https://doi.org/10.14746/i.2015.25.13
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Filmmaker workshop

Katarzyna Mąka-Malatyńska
133-146
Maciej Drygas Film Archeology
https://doi.org/10.14746/i.2015.25.14
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Maciej Drygas
147-160
Analysis of the Documentary "Hear My Cry"
https://doi.org/10.14746/i.2015.25.15
PDF (Język Polski)
Maciej Drygas
161-178
Analysis of the Documentary "Violated Letters"
https://doi.org/10.14746/i.2015.25.16
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Author Gallery

Igor Oleś
217-231
Limbo
https://doi.org/10.14746/i.2015.25.17
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Varia

Anna Mikonis-Railienė
234-248
History and Symbols: Lithuanian and Central European Cinema of the 1960s
https://doi.org/10.14746/i.2015.25.18
PDF (Język Polski) PDF
Marek Hendrykowski
249-255
The Methodological Problems of Studies on the History of Polish Postwar Documentary
https://doi.org/10.14746/i.2015.25.19
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Lechosław Trzęsowski
255-264
A trip to the unknown. Interview with Lechosław Trzęsowski, cinematographer for Krzysztof Kieślowski's school etudes "Office" (1966) and "Concert of wishes" (1967)
https://doi.org/10.14746/i.2015.25.20
PDF (Język Polski)