Vol. 20 No. 29 (2017): Polish Cinema Unknown, Polish Cinema Forgotten

Vol. 20 No. 29 (2017)

Published 2017 March 15
Polish Cinema Unknown, Polish Cinema Forgotten
Marek Hendrykowski
5-14
Witkacy, Cocteau and others. The amateur films of August Zamoyski
https://doi.org/10.14746/i.2017.29.1
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Mikołaj Jazdon
15-46
The Documentarians and The Critic, Zygmunt Kałużyński and Documentary Filmmakers of „The New Change”
https://doi.org/10.14746/i.2017.29.2
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Jadwiga Hučková
47-58
Jarmo Jääskeläinen – „immigrant with Polish soul”
https://doi.org/10.14746/i.2017.29.3
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Małgorzata Hendrykowska
59-84
Amateur filmmakers in Poland before 1939
https://doi.org/10.14746/i.2017.29.4
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Roman Włodek
85-101
The Story of a Sin, or a protocol of crimes and calamities
https://doi.org/10.14746/i.2017.29.5
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Marek Hendrykowski
103-118
Jerzy Bossak. Sketch for a portrait
https://doi.org/10.14746/i.2017.29.6
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Beata Pieńkowska -Wyżyńska, Adam Wyżyński
119-135
Helena Grossówna in wartime
https://doi.org/10.14746/i.2017.29.7
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Maciej Pietrzak
137-147
The exile of survivors. The experience of post-March ‘68 emigration in films of Marian Marzyński and Leszek Leo Kantor
https://doi.org/10.14746/i.2017.29.8
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Małgorzata Hendrykowska, Marek Hendrykowski
149-160
The first film adaptation of Pan Twardowski
https://doi.org/10.14746/i.2017.29.9
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Piotr Śmiałowski
161-177
‘Those who have died see us, see our sins and our suffering’: The voice from the other world of Stanisław Różewicz
https://doi.org/10.14746/i.2017.29.10
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Roman Włodek
179-202
Jadwiga Andrzejewska’s Łódź films
https://doi.org/10.14746/i.2017.29.11
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Barbara Lena Gierszewska
203-213
In case of digital history of Polish cinema
https://doi.org/10.14746/i.2017.29.12
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Jadwiga Hučková, Tomáš Hučko
215-230
How in Czechoslovakia films by Munk and Wajda were conceived – or films in the context of tangled history
https://doi.org/10.14746/i.2017.29.13
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Student films

Marek Hendrykowski
264-278
In the shadow of a master. Stanisław Latałło’s short film The Holy Family
https://doi.org/10.14746/i.2017.29.16
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Patrycja Rojek
280-288
Mythical hero in Piotr Złotorowicz’s Mother Earth
https://doi.org/10.14746/i.2017.29.17
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Katarzyna Mąka-Malatyńska
289-300
Journey to the land of verisimilitude: The animated documentaries of Marcin Podolec
https://doi.org/10.14746/i.2017.29.18
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Piotr Pomostowski
301-311
Musical eclecticism in three etudes by Roman Polanski. Break Up the Dance, Lamp and When Angels Fall
https://doi.org/10.14746/i.2017.29.19
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Filmmaker workshop

Grzegorz Jaroszuk
233-251
Opening of the film and its functions
https://doi.org/10.14746/i.2017.29.14
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Author Gallery

Marek Szyrek
253-263
Koloidion
https://doi.org/10.14746/i.2017.29.15
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Varia

Adam Domalewski
323-328
Animated etudes by Grzegorz Wacławek
https://doi.org/10.14746/i.2017.29.21
PDF (Język Polski)
Marek Hendrykowski
314-322
Where is our home? The story of a film
https://doi.org/10.14746/i.2017.29.20
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Anna Śliwińska
329-335
Cinema Metropol – a place which is not there
https://doi.org/10.14746/i.2017.29.22
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Michał Pieńkowski
336-341
‘Known’ and unknown pre-war Polish film productions: Konstanty Meglicki’s Halka and Mieczysław Krawicz’s Sportowiec mimo woli
https://doi.org/10.14746/i.2017.29.23
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