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Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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Marek Hendrykowski
93-109
Cinematography in the rubbish bin
2023 January 17
https://doi.org/10.14746/i.2022.40.05
Małgorzata Hendrykowska, Marek Hendrykowski
149-160
The first film adaptation of Pan Twardowski
2017 March 15
https://doi.org/10.14746/i.2017.29.9
Nataliya Puchenkina
45-63
What is so (Un)Exceptional About Soviet Cinema? The Pragmatics of Soviet Film Exports to Germany and France in the 1920s
2023 January 5
https://doi.org/10.14746/i.2022.41.03
Tetiana Mychajłowa
49-56
Triada obrazów akwatycznych jako podstawa integralności kompozycji filmu dokumentalnego Ołeksandra Awszarowa i Switłany Rudiuk Wasz Wasyl
2023 October 20
https://doi.org/10.14746/i.2023.34.43.3
Paweł Sitkiewicz
183-197
Researching the experience of an audience which doesn’t exist. Methodological challenges
2023 January 5
https://doi.org/10.14746/i.2022.41.11
Piotr Pławuszewski
174-177
A Tale of a Director Who Wants to Be Directed
2012 January 13
https://doi.org/10.14746/i.2012.19.19
Witold Stok
279-282
Ear to the ground. Searching for ourselves in each other
2023 October 20
https://doi.org/10.14746/i.2023.34.43.17
Jakub Popielecki
225-234
Boredom of travelling, boredom of waiting. Gus Van Sant’s “Gerry” and the theatre of Samuel Beckett
2009 June 13
https://doi.org/10.14746/i.2009.13.14.18
Małgorzata Nowińska
200-211
“Look, here is a Polish film production”. Pre-war Polish musical comedy as a musical
2023 January 17
https://doi.org/10.14746/i.2022.40.13
Anna Huth
127-133
Professional situation of the Ukrainian actors during the Russian aggression against Ukraine
2023 October 20
https://doi.org/10.14746/i.2023.34.43.8
Adam Domalewski
207-217
Genre and aesthetic analysis of The Jetty by Chris Marker. Interpretation of the film as a case of “possible cinema”
2013 January 13
https://doi.org/10.14746/i.2013.21.15
Agata Jankowska
345-358
Images which are not there. The Representations of the Final Solution in the Examples of Son of Saul and Kornblumenblau
2023 October 20
https://doi.org/10.14746/i.2023.34.43.23
Bohdan Shumylovych
111-126
Cinematic Culture During the War in Ukraine: Surviving the Year of Brutalities
2023 October 20
https://doi.org/10.14746/i.2023.34.43.7
Piotr Pomostowski
301-311
Musical eclecticism in three etudes by Roman Polanski. Break Up the Dance, Lamp and When Angels Fall
2017 March 15
https://doi.org/10.14746/i.2017.29.19
Patrycja Chuszcz
111-125
The dynamics of educational and activities run by activists from the Otwarte Klatki (Open Cages) Association and its film production system
2023 January 17
https://doi.org/10.14746/i.2022.40.06
Małgorzata Miławska-Ratajczak
325-333
The Art of Hating. Reduplications, paraphrases and “quotations” in John Komasa’s The Hater
2023 January 5
https://doi.org/10.14746/i.2022.41.18
Lina Kaminskaitė-Jančorienė, Juozapas Paškauskas
27-44
Local and Global Framework of Early Cinema in Lithuania: Vilnius Cinemas, Programme Formats and Audience
2023 January 5
https://doi.org/10.14746/i.2022.41.02
Krzysztof Witczak
317-324
The first time in a dark cinema – film reminiscences in the work of Krystyna Kofta
2023 January 5
https://doi.org/10.14746/i.2022.41.17
Mateusz Drewniak
212-224
Audio-visual archives of Polish Public Television and TV shows devoted to film and cinema production (1989–2020)
2023 January 17
https://doi.org/10.14746/i.2022.40.14
Jarosław Grzechowiak
113-127
The audience and reception of the films from the Profil Film Unit in 1982-1989
2023 January 5
https://doi.org/10.14746/i.2022.41.07
Marcin Adamczak, Sławomir Salomon
257-276
How to act when “nobody knows anything”? Regularities among the attendance performance of films in theatrical distribution
2023 January 5
https://doi.org/10.14746/i.2022.41.15
Emil Sowiński
99-111
Alternative distribution and its role in the promotion of films produced by the Irzykowski Film Studio between 1981–1984
2023 January 5
https://doi.org/10.14746/i.2022.41.06
Georgios Karakasis, Jonathan Lavilla de Lera
149-160
Fight for Nothing: Fight Club and Nihilism in Capitalist Society
2023 January 17
https://doi.org/10.14746/i.2022.40.09
Justyna Gluba
221-235
Distribution of foreign films in the People’s Republic of Croatia on the background of Yugoslav cultural policy (1944–1963)
2023 January 5
https://doi.org/10.14746/i.2022.41.13
Michal Večeřa
65-78
Remaining silent: The ongoing presence of silent films on cinema programmes in Brno between 1930 and 1936
2023 January 5
https://doi.org/10.14746/i.2022.41.04
201 - 225 of 226 items
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