Vol. 35 No. 44 (2023)

Published 2023 December 4

The Special Issue: Religions in Comic Books

Full Issue

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Religie w komiksach

Redakcja Images

5-7

Religie w komiksach. Wstęp

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Jerzy Szyłak

11-21

Comic books as the profanation of a myth

https://doi.org/10.14746/i.2023.35.44.1

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Wojciech Birek

23-31

The manga debate – from the perspective of a comic book researcher

https://doi.org/10.14746/i.2023.35.44.2

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Jakub Jankowski

33-62

“Comic-making as a form of prayer?” Comic materiality – the example of Francisco Sousa Lobo’s comic strip Deserto / Nuvem

https://doi.org/10.14746/i.2023.35.44.3

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Marek Kaźmierczak

63-77

Not.Presentable. Remarks on holy, animal and human bodies in Robert Crumb’s comic The Book of Genesis

https://doi.org/10.14746/i.2023.35.44.4

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Ewa Górecka

79-97

Love, forgiveness, and sacrifice. The image of Christianity in Quo Vadis

https://doi.org/10.14746/i.2023.35.44.5

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Mariusz Guzek

99-116

Hussite religious themes in the latest Czech historical comics

https://doi.org/10.14746/i.2023.35.44.6

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Marcin Kowalczyk

117-133

The man and the superhero – a Marvel look at John Paul II

https://doi.org/10.14746/i.2023.35.44.7

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Jakub Ścibor Ratajczyk

135–147

Elements of Japanese beliefs and rituals in the manga Mieruko-chan. The girl who sees more of Tomoki Izumi

https://doi.org/10.14746/i.2023.35.44.8

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Author Gallery

Paweł Piechnik

149-154

Paweł Piechnik

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Varia

Zbigniew Kloch

157–166

Intersemiotic translation: the case of a road sign, ekphrasis and film adaptation

https://doi.org/10.14746/i.2023.35.44.9

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Przemysław Wiatr

167–179

The post-historical condition. On television, new media and politics

https://doi.org/10.14746/i.2023.35.44.10

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Artur Kamczycki

180–195

El Lissitzky’s Red Wedge as the Hebrew letter Yud

https://doi.org/10.14746/i.2023.35.44.11

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Katarzyna Taras

196–203

How the cinematographer can help the actor – an insider’s perspective on Joker

https://doi.org/10.14746/i.2023.35.44.12

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Sylwia Szostak

204–226

Streaming services and the local audiovisual industry – mapping Netflix’s impact on the Polish production sector

https://doi.org/10.14746/i.2023.35.44.13

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Michał Mróz

227–246

Space in the video game Dark Souls as a tool for creating a storyworld

https://doi.org/10.14746/i.2023.35.44.14

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Notes about authors

Redakcja Images

247-253

Notes about authors

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